I was feeling increasingly ridiculous being an Australian reader who had not read a single Jane Harper novel. She’s one of our biggest authorial exports of recent years, up there with Liane Moriarty. Her novels are crime thrillers set in regional areas – real “small town with a dark secret” stuff – and they’ve won more awards than you can poke a stick at. I decided to start with The Dry, her debut novel first published back in 2016, which went on to sell over a million copies.
The Dry is set in Kiewarra, a fictional town five hours’ drive from Melbourne. It’s an El Niño summer (like the one we’re predicted to have later this year), and severe drought has hit the town hard. A farmer, Luke Hadler, shot his wife and son in cold blood, before turning the gun on himself – or so it seems. Most of the townspeople are happy to assume that it was the last desperate act of a depressed man driven to the brink, but Luke’s parents think something more sinister might be afoot. After all, why would Luke leave his 13-month-old daughter unscathed?
They call in Aaron Falk, Luke’s childhood friend, who now works as a financial crimes cop in the big smoke. Falk’s not overjoyed to be returning to his hometown, after he left amid scandal as a teenager. He thinks he’s just going to attend the Hadler family funeral, shake a few hands, and be on his way. Of course, they reel him back in, and he finds himself working with the local cop to find out the truth of the Hadler deaths.
All of this suggests that The Dry is a quintessentially Australian story. There have, after all, been several tragic murder-suicides along these lines in regional communities over recent years, and anyone who’s spent more than a minute in a drought-affected area can tell you that it’s thoroughly believable.
You can understand, then, why I was a bit put off by Harper referring to a Hill’s hoist as a “rotary line” in the Prologue. I have never, in my whole life, heard an Australian call it anything other than a Hill’s hoist. What the fuck is she playing at? There were also flies eating the freshly-shot corpses of the Hadley family, but honestly I found that less disturbing than the patois fail.
Aside from a few qualms like that one, The Dry is remarkably well written. The prose is taut and evocative, a step above Liane Moriarty in my view (though it would certainly appeal to readers who like her books). Take, for instance, the way that Falk is lured back to Kiewarra – he receives a note from Luke’s father that reads “Luke lied. You lied. Be at the funeral.” In context, it struck just the right ominous note, compelling you to read on without over-egging the pudding (as first-time thriller writers are wont to do).
I will concede, though, that most of the plot twists were very predictable. At one point, I literally shook my copy of The Dry and said – out loud – “ISN’T IT OBVIOUS?! HE’S GAY!” as the obtuse characters stumbled around, stymied by their own terrible gaydar. Given that Harper has nailed the “voice” for her thrillers, I’d imagine she’ll come around to better plotting with time.
(Because this is My Thing now, I will give a trigger warning for a dog death: it’s just a mention, a sad one, but very brief and the dog doesn’t actually feature as a character.)
I can totally see why they cast Eric Bana as the lead in the film adaptation of The Dry. He’s the perfect Aaron Falk, exactly as you’d picture him. I’ll definitely be watching it, as soon as I get a chance, now that I’ve read the book. When it was finally released (after COVID-19 delays) in 2021, it broke box office records, becoming one of the highest-grossing Australian film opening weekends ever. If I’m honest, I’m more excited for movie night than I am seeking out any more of Harper’s books. The Dry was good, mostly, but not so good that I simply must read more.
My favourite Amazon reviews of The Dry:
- “I do not like to read about the shooting of rabbits and all kinds of cruelty to other animals. I know the people in the town it takes place in do it to survive and feed their families but I still don’t want to read about it. The villain was no surprise either. I guessed it was him by about the second time his character was introduced. No, I am not that smart. It was just obvious.” – Sabrina
- “Found this dry all around. Main character dry. Supporting characters dry. The weather was dry…but I only felt it when it was directly mentioned.” – thom coco edwards
- “It was a laborious read and I forced myself to get to the end. The mist “gratifying” part of the book was deleting it from my kindle.” – An Avid Reader