Jane Austen novels tend to go in and out of fashion. Of course, they’re all perennially popular by general standards, but within Austen’s oeuvre there’s definite trends. I missed Sense And Sensibility‘s most recent hey-day, the peak that came with Emma Thompson’s 1995 film adaptation, but I think the time is ripe for it to come back around.
Sense And Sensibility was the first of Austen’s novels to come out, published anonymously in 1811 (and it has never been out of print, never not once, since then). The author had been working on it since 1795, as best we can tell from what remains of her other writings. It was originally an epistolary novel, told in a series of letters, and she gave it the working title Elinor and Marianne (for the two main characters) before settling on its final form and title relatively late in the game. You can still trace the novel’s epistolary origins, though, in the gossip-y nature of its plot. A lot of Sense And Sensibility is driven by speculation about what others are thinking and feeling.
The story follows two sisters, Elinor (19 years old, as Austen was when she first started working on it) and Marianne (16 years old). They, along with their younger sister and widowed mother, are forced from their family estate by their older half-brother after their father’s death. They settle in Barton Cottage, a comparatively modest home out in the middle of nowhere, on the property of a distant relative. As you’d expect of an Austen novel, the sisters’ only hope for social progression and livelihood is an advantageous marriage.
Are you sensing a duality theme, here? The two key words of the title, the two sisters… Elinor and Marianne represent each half of the title (as Elizabeth and Darcy represented both “pride” and “prejudice”). Elinor is the one with all the sense. She’s reserved, polite to a fault, and very considered in her words and actions. Marianne, on the other hand, is impulsive and emotional, with keen sensibility as demonstrated by her passion for the arts and beauty. Austen is too clever to let it be that simple, of course. Over the course of Sense And Sensibility, you see Elinor’s sensibility and Marianne’s sense come to the fore on various points.
All that said, I really didn’t care that much about the duality and the broader themes and metaphors of Sense And Sensibility – I’m probably only thinking about it, and telling you about it, because I read the Norton edition (which is aimed at an academic audience, with endless footnotes and explanatory essays). It’s all very fascinating for other readers, studious types who are taking it seriously, but that’s not me. What I’m here for is the savagery.
Sense And Sensibility is definitely the cattiest of Austen’s novels. Elinor in particular is a straight-up hater. She might put on a polite front for other characters, but Austen reveals as narrator that she is absolutely murdering everyone around her in her mind. You’ve got to admire a girl who can filter like that!
So, on my reading, that’s the strongest recommendation I have for Sense And Sensibility: pick it up when you want to read a woman destroying people with words. I’m sure there are many other, loftier reasons to enjoy Austen’s first published work, but that’s the reason I loved it and I see no point trying to pretend otherwise.
My favourite Amazon reviews of Sense And Sensibility:
- “I heave read and enjoyed all of Austen’s published works, and decided to try an Audible version for my daily walks. Why an American would be chosen to narrate an English cast of characters I do not know. The narrator has all the charisma of an eggplant and sounds more like a YouTube robot than an animate being.” – VMT
- “To the end, I was hopeful that Marianne would die, or perhaps become an old maid, but no. This is a *happy* ending.” – Alexander Kobulnicky
- “People have worse problems to worry about than worrying about the problems the character has. I kept going through the story and saying, “So what? Who cares? Fix your own problems.”… If you have time to actually read this book, I suggest you spend your time doing something worthwhile instead of wasting your life on Sense and Sensibility.” – J. Lin