Well, Keeper Upperers, last year I asked Santa for a big stack of books – and boy, did he deliver! Sadie by Courtney Summers came via my wonderful and dear friend Cathal, right into my hot little hands. This one has been near the top of my wishlist for ages, so I couldn’t bring myself to wait another minute before tearing in to it.
Sadie is Courtney Summer’s break-out novel. She’s written several other books prior, but this is the one that catapulted her to international attention and #bookstagram fame. What brought it to my attention was the killer premise: a modern twist on a murder mystery, partly styled as a podcast transcript.
The story begins with the discovery of a body, that of 13-year-old Mattie Southern, in a small run-down town in the middle of nowhere. She is survived by her 19-year-old sister, Sadie. Right off the bat, I liked the way that Summers was thumbing her nose at the tropes by naming her book after the living protagonist. When was the last time you read a crime novel with a titular girl who wasn’t dead?
That’s your first hint that Sadie is cleverer than it might first appear. Summers also lampoons the true-crime trend of middle-class butter-wouldn’t-melt-in-their-mouths white blonde victims. Mattie and Sadie are from the wrong side of the tracks, their fathers are long gone, and their mother decided she preferred drugs to home-cooked dinners. Sadie and Mattie have had to forge their own way, living in a trailer with only their landlady for support.
West McCray – a radio journalist – overhears the tragic news of Mattie’s death while he’s working on another story nearby. At first, he doesn’t think much of it (another dead girl? that’s sad, but it’s hardly a story). Then, he hears from their landlady: Sadie has gone missing, just months after Mattie’s death. That’s the impetus for his podcast investigation, what hooks him (and us, the readers): what happened to the girls?
So, one side of the story is told by West, as he investigates – through interviews and sticking his nose everywhere it doesn’t belong – and the other side is told by Sadie herself. It’s a really interesting way of piecing the story together: each protagonist knows things the other doesn’t, and even without the high-stakes plot, you’ll find yourself desperate to find out what happens when their stories catch up to one another and intersect.
Summers also nails the podcast transcript, I must say. It’s very clearly modelled off cultural staples like Serial and This American Life. As I read, I couldn’t help but “hear” most of it in the soothing tones of Ira Glass. It got a little trite towards the end, maybe a little “neat”, but overall it holds up. I read in another review that apparently there are actual recorded episodes out there, which I’m curious to track down.
I think it’s also really powerful that Sadie is given her own voice, the opportunity to tell the reader her own story. Had the whole lot been narrated by West and the people he interviews, a lot of the complexity and intimacy would have been lost. She reveals pretty early on where exactly she’s gone “missing” to: she’s on the hunt for the man she believes killed Mattie, and she plans to give him a taste of his own medicine. She also has a stutter, which makes her internal monologue particularly powerful; what she’s not able to physically say out loud, she can share with us.
Being a crime novel, styled as a true crime podcast, there’s obviously some pretty gruesome stuff (if you’re not a true crime junkie, it’s probably worse than you’d imagine). So, here’s a content warning for violence (duh) and child abuse. Though Courtney Summers’ books are classed as Young Adult, I really feel that Sadie could have been published and marketed as adult crime fiction without raising an eyebrow.
The ending isn’t exactly happy, though it does provide enough resolution that the story feels finished. I knocked it over in a single afternoon. I’d say it’s the perfect book for fans of Veronica Mars.
My favourite Amazon reviews of Sadie:
- “It was pretty ok!” – Lauren A Woods
- “Wtf” – User