Fauna is perhaps best classified as “eco-gothic speculative fiction”, but that’s a bit of a tongue twister. It falls somewhere between feminist dystopias, like The Handmaid’s Tale, and contemporary Australian climate fiction, like Dyschronia.
Donna Mazza imagines a too-near speculative future where a company, Lifeblood(R), offers huge incentives for women to join an experimental genetics program splicing non-human DNA into embryos for in-vitro fertilisation. My thanks to Allen & Unwin for this review copy!
I can’t tell you too much about the plot of Fauna, because – as is the way with speculative novels – most of the impact comes from the slow unveiling of the truth.
What I will say is that it grapples with big themes (the nature of personhood, motherhood, grief, yearning, and reckoning with one’s deal with the devil), and it will surely spark a lot of debate at book club!