It’s that time of year again! Members of the Dymocks Booklovers club (over 11,000 of them!) have cast their votes, and the Australian bookseller chain has announced the winners: their Top 101 books for 2019. I really appreciate that Dymocks goes to the effort of asking their loyal customers what they think (instead of just relying on the figures of the current best selling books in Australia), and I love looking through this list each year and seeing where the trends and loyalties have shifted among my fellow booklovers. As always, there are a bunch of old favourites, plenty of new entries, and many from my own bookshelves. Here’s what I reckon about the Dymocks 101 for 2019…
#1 Eleanor Oliphant Is Completely Fine by Gail Honeyman
BAM! I knew this book was popular – I’ve seen it all over #bookstagram for months – but I had no idea it was THAT popular! Either I underestimated its power, or Gail Honeyman has secret powers to mobilise a formidable army of loyal Australian readers to vote Eleanor Oliphant Is Completely Fine into the top spot. I recently picked up this one in a fit of (probably only perceived) peer pressure; I feel like I’m the only booklover left who hasn’t read it! It sounds a lot like a female-led The Rosie Project, so I’m cautiously curious.
#2 Fight Like A Girl by Clementine Ford
And BAM – another surprise! Clementine Ford is a very divisive figure in Australia, in feminism and in the media more broadly. Fight Like A Girl is her treatise, a call to arms, for her unapologetically angry, at times confronting, at times challenging, always impressive, sociopolitical philosophy. If you’d asked me before the Dymocks Top 101 list was released, I would have said there was no way such a controversial book – non-fiction and female-authored, come to that – would crack the top twenty… but here we are! (Boys Will Be Boys, Ford’s follow-up to Fight Like A Girl, also made the list, coming in at #12.)
#3 All The Light We Cannot See by Anthony Doerr
Ah, now we’re back on more predictable ground: All The Light We Cannot See was #2 in the Dymocks list last year, so it’s roughly maintained its spot. I’d imagine we’ll see it hanging around in the Top 101 for a while yet. It’s a Pulitzer Prize-winning WWII historical fiction novel (and they’re so hot right now!) that follows the lives of a blind French girl and an orphaned German boy, whose paths cross over the course of the conflict. Read my full review of All The Light We Cannot See here.
#4 The Book Thief by Markus Zusak
Two remarkably similar (in premise, if not tone) historical WWII fiction novels, with female child protagonists, back-to-back in the Dymocks 101: clearly, there’s a deep interest in these kinds of stories, and they have a loyal fan base! The Book Thief was published back in 2005, and it’s featured in the list since then. It was #1 in 2017, the year that I put my Keeping Up With The Penguins reading list together (which is how I found myself picking it up to begin with). Clearly, it’s got some serious staying power! This is another one I’m sure we’ll be seeing in the Top 101 for many years yet… Read my full review of The Book Thief here.
#6 To Kill A Mockingbird by Harper Lee
To Kill A Mockingbird, Harper Lee’s classic tale of racism and loyalty in the American South, has nudged up a few spots this year (from #10 back in 2018). I think it might make its way even higher over the next couple of years, as the Trump presidency plays itself out and the world tries to claw its way back. This remains a canonical text for our understandings of how the personal is political (and, indeed, how the political is personal). It’s not without its flaws of course, but I loved it. Read my full review of To Kill A Mockingbird here.
#7 Pride And Prejudice by Jane Austen
Again, no surprises here: Pride And Prejudice is right where we left it last year, in the #7 spot of the Dymocks Top 101. It is popularly considered the most loved of Austen’s works, and it’s probably the best known (if not the best flat-out) English-language novel of the 19th century. I’d be gob-smacked if it dropped out of the top ten any time soon! In fact, I challenge you to find any list of “100 best books” that doesn’t include this classic. Read my full review of Pride And Prejudice here.
#9 The Handmaid’s Tale by Margaret Atwood
It’s taken a while, but The Handmaid’s Tale is finally getting the worldwide recognition and adulation it deserves – buoyed no doubt by the incredibly popular television series, and the countless hours and pages of commentary it spawned. Like all good dystopian fiction, Atwood’s Republic of Gilead has ever-startling resonance for our real-world struggles with gender, class, and exploitation. Read my full review of The Handmaid’s Tale here.
#10 The Dry by Jane Harper
Isn’t it great to see so many Australian women writers making good this year? The Dry is actually the second of Harper’s novels to make the Dymocks Top 101 Books this year (her more recent offering, The Lost Man, came in at #8). I’m yet to read any of her books, but The Dry is going to be my first – it’s calling me from my to-be-read shelf! As I understand from the blurb, it’s a crime drama set in the hometown of a fictional AFP investigator, Aaron Falk, where he reluctantly investigates the murder of a local family while simultaneously confronting the community that cruelly rejected him decades prior.
#15 Burial Rites by Hannah Kent
Speaking of Australian women writers, here’s another! Hannah Kent has become somewhat of a darling of Australian literature the last few years, and this is perhaps the best-loved of the books she’s written so far. Burial Rites is based on the true story of Agnes Magnusdottir, who was the last woman put to death in Iceland; she was convicted of murdering two men, including her employer, and this is Kent’s reimagining of her final days. Stay tuned for my review (and also for the film adaptation, which will reportedly star Jennifer Lawrence in the lead!).
#18 Big Little Lies by Liane Moriarty
Good thing I didn’t turn “Australian women writers in the Dymocks 101” into a drinking game, because we’d be out of wine by now! Liane Moriarty is an incredible home-grown commercial fiction success story. She was growing in popularity in her own right, but the HBO adaptation of her sixth book, Big Little Lies, has shot her into the stratosphere of literary stardom. I’ve not yet read this one, but I did read her previous novel, The Husband’s Secret (and my full review of that one can be found here); it came in on this same list at #78. Her most recent release, Nine Perfect Strangers, came in a bit below this one at #24, but I expect we’ll see it climb higher over the next year or two. Read my full review of Big Little Lies here.
#25 The Happiest Refugee by Anh Do
If you’ll permit me to get a little sappy-slash-political for a minute: I think it’s really wonderful that, in this era of fear-mongering and misinformation, Australian booklovers are still supporting a refugee memoir. Forget what you’ve been told about “boat people” or “illegals” – Anh Do turns all the stereotypes on their head in The Happiest Refugee. After I read it, I gave a copy to my mother for Christmas, and I highly recommend it to anyone who’s not sure where they fall on the issue of refugees coming to our country. It’s vital that we continue to share and celebrate these stories, not just because they’re amazing but also to counterbalance the powerful forces that would see us all divided (in their own interest, of course). Read my full review of The Happiest Refugee here.
#27 The Rosie Project by Graeme Simsion
Once Bill Gates recommends your book, chances are it’s going to be selling like hot-cakes for a while. And that’s exactly what’s happened to Graeme Simsion with The Rosie Project. He’s managed to parlay his success with this comic novel about the eccentric scientist Don Tillman’s search for love into an entire trilogy, following it up with The Rosie Effect and, just this year, The Rosie Result. I couldn’t help but take issue with some of Simsion’s (mis)representations of life on the autism spectrum, but I can’t deny that this is a wonderful light-hearted read – one to reach for when you need a reminder that the whole world isn’t shit. Also, Graeme Simsion actually re-tweeted my quote of a particularly harsh review, so he’s clearly a good sport! Read my full review of The Rosie Project here.
Ok, I retweeted some praise recently and feel I should offer some balance. https://t.co/wayPrNR9Tq— Graeme Simsion (@GraemeSimsion) January 26, 2019
#29 A Little Life by Hanya Yanagihara
On its face, A Little Life doesn’t have much going for it. It’s a loooooong book, for one – my edition runs some 720 pages! Its author, Hanya Yanaghiara, is a woman of colour, a group too-often underrepresented in lists of best books. And holy heck, it is not an easy read! If you decide to give this one a go, be prepared for long and detailed descriptions of intense and horrific childhood trauma, as well as addiction, relationship breakdown, and all other manner of dark shit. The fact that A Little Life ranked so highly in the Dymocks Top 101 for 2019 is nothing short of a miracle, as far as I’m concerned. It just goes to show: Australian booklovers really are the bravest and the strongest of them all! Read my full review of A Little Life here.
#33 Crazy Rich Asians by Kevin Kwan
I don’t think the importance of this book – and To All The Boys I’ve Loved Before by Jenny Han, which came in at #77 – can be overstated. Crazy Rich Asians is, of course, delightful and fun and flashy, but it’s also an incredible case study in the impact of good, honest representation. The film adaptation was hugely popular, and I think it was Sandra Oh who said that she cried as she watched it because finally – finally! – there was a film full of people who looked like her. The Asian characters aren’t jokes or side-kicks, but the stars of the show. So, heck yes for Crazy Rich Asians making the Dymocks 101, and here’s hoping it’s a sign of more great #ownvoices success stories to come!
#45 The Great Gatsby by F. Scott Fitzgerald
I think my thoughts on this inclusion in the Dymocks 101 list can be almost entirely summed up in a single word: ugh. I know it’s an unpopular opinion, but I think The Great Gatsby stinks. It’s just so boring and hackneyed! A moody white guy discovers that it’s fun to party with pretty girls, then his rich friend dies and no one comes to the funeral. Like… so what? And yet, it appears on this list year after year (though, I do note happily that it’s down a bit from its rank of #27 in 2018). I just don’t understand its enduring appeal! Trust me, read Gentlemen Prefer Blondes instead – it’s a much more fun and interesting take on the Jazz Age in America. Read my full review of The Great Gatsby here.
#46 Jane Eyre by Charlotte Brontë
Back to the good stuff: Jane Eyre by Charlotte Brontë is now one of my favourite all-time books, having read it back in the early days of the Keeping Up With The Penguins project. It’s amazing, but unsurprising, that Charlotte’s masterful rendering of the inner consciousness of a young, scared girl is still so popular centuries later. Here’s another controversial opinion for you: even though she was kind of the bitchy sister, in my estimation Charlotte was the best of the Brontës. (You can fight me on that in the comments if you like!) Read my full review of Jane Eyre here.
#47 Normal People by Sally Rooney
As soon as I saw this book, and that incredible cover art, I just knew it would be wonderful. Normal People kind of exploded after it was placed on the long-list for the 2018 Booker Prize, and I’m still surprised it didn’t make it any further in the process, given its immense popularity and numerous literary commendations. Ostensibly, it’s a story about two Irish girls who study together in Dublin and the relationship they forge between them, but it’s also a deeply political novel that will melt even the hardest of hearts. Read my full review of Normal People here.
#50 A Game Of Thrones by George R.R. Martin
The popularity of the HBO series pretty much guarantees that A Game Of Thrones will appear in the Dymocks Top 101 list for years to come. I know it’s sacrilegious to admit this, but I’m actually really glad that I watched the TV adaptation before I sat down to read the book. Fantasy stories with dozens of place names and characters and complicated made-up languages drive me up the wall, so having it all straight in my head before I began really helped me properly enjoy Martin’s intricate story of love and war. Read my full review of A Game Of Thrones here.
#52 The Girl On The Train by Paula Hawkins
Along with Gone Girl (which came in at #37), this book launched the international publishing trend of Books With “Girl” In The Title. We saw “girls” everywhere: on trains, in windows, being good, being bad, coming, going… The widespread infantilisation of female characters really bothered me, and I’m so glad to see we’re finally at the tail end of it, but The Girl On The Train remains popular enough to earn its spot in the Top 101 (albeit considerably further down than last year, when it reached #14). Read my full review of The Girl On The Train here.
#55 The Narrow Road To The Deep North by Richard Flanagan
I have no idea how or why The Narrow Road To The Deep North has risen some twenty spots since last year’s Dymocks book list, but it has! As far as I know, no film adaptation has been announced, no new release has got Flanagan’s name back in the spotlight, no new awards have been given… apparently, booklovers this year just enjoyed it more than last. Strange, eh? I finally got around to reading it recently – my first-ever Booker prize winner! – and I was strangely impressed. As much as I’ve gone off historical WWII fiction (I usually prefer real-life accounts, which I find more impactful), I really appreciated the way that Flanagan didn’t shy away from the gritty, awful realities of war. Read my full review of The Narrow Road To The Deep North here.
#58 The Alchemist by Paulo Coelho
As long as we have hippies on their quest for spiritual awakening, we will have The Alchemist in the Dymocks 101. I can’t honestly say, having read it, that it changed my life or made me look at the world any differently. That said, it was an easy read – almost like a child’s fairytale – and I can see that there’s plenty of fodder to treat it as a sacred text. I wouldn’t tell anyone not to bother reading it, but maybe temper your expectations in terms of its ability to open up your mind to a higher power. Read my full review of The Alchemist here.
#61 The Subtle Art of Not Giving A Fuck by Mark Manson
Really, the only surprise here is that The Subtle Art Of Giving A Fuck is so far down the list! This book, with its striking orange cover and its shameless profanity (of which I’m fully in favour), was everywhere in 2018. Perhaps the Dymocks Booklovers are a self-assured literary lot who don’t need self-help gurus to sort out their messy lives? Probably. But I’ll admit, the hype lured me in; I picked up a copy of this one a little while back and I know I’ll have to read it eventually, just to see what all the fuss is about.
#62 The Hitchhiker’s Guide To The Galaxy by Douglas Adams
I cannot recall a single year, in all my time following the Dymocks Booklovers Top 101, where The Hitchhiker’s Guide To The Galaxy hasn’t featured somewhere. It got a much higher rank last year (#19), but it’s always guaranteed a spot – a testament to its enduring popularity. This book is beloved, not just in the sci-fi community but in the broader general readership. In fact, I had a devil of a time trying to find it secondhand, because no one ever wants to part with their copy! Eventually, I did pick one up, and I’m glad I persisted because it’s an actual honest-to-goodness first edition – it’ll be worth a quid someday! Read my full review of The Hitchhiker’s Guide To The Galaxy here.
#64 Reckoning by Magda Szubanski
Reckoning is the memoir of Australia’s beloved comedian and activist Magda Szubanski. I’ll never forget my overwhelming feeling of joy and relief the day that Australia voted Yes to marriage equality, and I got to see Magda address the gathered crowd in celebration. She is inextricably linked to that campaign in my mind, and I’m eternally grateful for her faith and persistence in changing Australia for the better. Her account of coming to terms with her family history, her sexuality, and her place in the world is truly captivating, a must-read!
#68 The Martian by Andy Weir
Andy Weir has one of those overnight-success stories that was years in the making. He slogged away writing The Martian, fielding rejections left and right, until – fed up – he published the whole thing for free on his own website. Now, here he is, eight years later, with millions of book sales under his belt, a major film adaptation starring Matt Damon, a follow-up book on the shelves (and another one in the works, as I understand it), and another year running in the Dymocks 101. See? Persistence pays! Read my full review of The Martian here.
#84 The Trauma Cleaner by Sarah Krasnostein
The Trauma Cleaner is such a remarkable book on so many fronts that I don’t quite know where to begin in describing it. For one, the subject – Sandra Pankhurst – is a trans woman, and (off the back of International Transgender Day of Visibility last week) I think it’s amazing that so many people are connecting with her story, allowing it to resonate, and learning through it. She is also a former sex worker, drag queen, husband – she’s lived one heck of a life! The occupation of “trauma cleaner” is a fascinating, terrifying, and at-times literally unbelievable one; this account will leave your mouth hanging open at the end of every passage. Read my full review of The Trauma Cleaner here.
#88 Call Me By Your Name by Andre Aciman
I was really surprised to see that the news of a sequel – for the book, and the film – to Aciman’s juggernaut Call Me By Your Name didn’t give it more of a boost in the Dymocks Top 101 rankings this year. Still, I’m happy to see it here at all! Calling it “one of the great love stories of our time” might be a bit of a stretch, but not a big one. The book depicts a beautiful love affair that blossoms between a confused teenager and an older grad student, against the stunning backdrop of a family home in Italy. The follow-up is sure to be a runaway best-seller, so make sure you get in on this one now (if you haven’t already). Read my full review of Call Me By Your Name here.
#91 My Brilliant Friend by Elena Ferrante
If my vote was the only one that counted, My Brilliant Friend would probably come in at #1 in every Dymocks 101 for the next twenty years or so. As it stands, I’ll have to settle for it coming in here towards the end… for now. Elena Ferrante’s book – the first of her Neapolitan Novels – is quite frankly one of the best I have ever read. The way she weaves the story of two girls growing up, a tenuous and torrid friendship ebbing and flowing between them, in mid-20th century Naples is just… breathtaking. Truly! I’m starting my campaign to get her a ranking she deserves in the Dymocks Top 101 for 2020 right now! Read my full review of My Brilliant Friend here.
Notable Exclusions: I think the fine folks at Dymocks are taking some editorial license and cutting out cook books and other gimmicky options. This Top 101 is light on self-help, and non-fiction across the board (just eighteen non-fiction books, by my count). I’m really surprised that Wuthering Heights wasn’t included (especially after Jane Eyre made the cut!), and there were relatively few classics on the whole, too (only nine included this year).
You might have noticed a generally positive and up-beat tone to a lot of the books on the list. Kate Maynor from Dymocks has confirmed they’re seeing a trend towards what she called “UpLit” – stories in which protagonists have to go through a level of darkness to reach an ultimately redeeming end. That’s hardly a new premise in literature, but I can see why it’s having a resurgence; given the dark times in which we live and work, a little “up” with our lit is a welcome respite.
It’s a shame that Tracker didn’t make the list, and there’s a disturbing (ongoing) trend of under-representation of Indigenous Australian storytelling. It’s great to see more Australian authors on the list each year, but the fact that so few of them are from our Indigenous community really sours it for me.
Dymocks Booklovers have made huge strides in terms of gender equality – the 2019 Top 101 list has reached rough parity – but there’s still a way to go in terms of other intersectional identities. I’ve got my fingers crossed that more marginalised authors make the cut next year; I think disability activist Carly Findlay’s new book, Say Hello, is a strong contender!
What do you think of the Dymocks Top 101 books for 2019? Let me know in the comments below (or join the conversation over at KUWTP on Facebook!).