Keeping Up With The Penguins

Reviews For The Would-Be Booklover

Search results: "graham greene" (page 1 of 2)

The End Of The Affair – Graham Greene

The End Of The Affair was published in 1951. It is the fourth (and last) in a series of explicitly Catholic novels written by British author Graham Greene… but you wouldn’t know it if you only read the first half. After all, it kicks off with a highly illicit adulterous affair. Hardly the stuff of great Catholic morality tales, eh?

So, let’s get all the salacious details out of the way: yes, The End Of The Affair is based on an affair of Greene’s own (authors just never tire of writing what they know, do they?). He was sticking it to one Lady Catherine Walston, and it ended badly, as the lover affairs that inspire great art often do. The British edition of the novel was dedicated to “C”, but over the pond, a little further from home, the American edition was dedicated to “Catherine”. That’s one way to make your mark on history, I suppose…

Greene based the protagonist, Bendrix, on himself, and Lady C was represented by the character Sarah. They met through Bendrix’s friend (and Sarah’s husband), Henry Miles. The fact that Bendrix is cutting his mate’s grass tells you pretty much everything you need to know about him. Being, as it is, The End Of The Affair, you get relatively few details about the affair itself – it’s over before the story even begins. Sarah had suddenly and unexpectedly broken off her affair with Bendrix some time before, but he is still racked with jealousy and rage. So, he hires a private investigator (as you do, ahem!) to figure out what the fuck happened. Bendrix is basically stalking his ex by proxy, and it’s every bit as creepy as it sounds.



Through flashbacks and vignettes, we learn that Bendrix and Sarah fell in love quickly – it was the kind of affair that burns bright and fast – and he was increasingly frustrated by her refusal to divorce her husband (an impotent and amiable civil servant). Bendrix and Sarah were engaging in a little afternoon delight when a bomb went off (oh, yeah, there was a whole world war going on in the background, by the way), and it was shortly after that incident that she left him. The private dick reads Sarah’s diary from that day – ew, gross, I hate him – and reports to Bendrix that, in the moment of the bomb blast, Sarah made a vow to God that she would cut off her adulterous affair if He would let Bendrix survive the incident. That’s where things start to get religious-y, and the story takes some weird turns.

Sarah, unsurprisingly, has a lot of internal conflict over the whole situation. She checks out a few churches, and tries real hard to get her shit together… but then she quickly dies of a lung infection. And then all this miracle-y stuff happens. I told you it takes some weird turns! The most twisted part, in my humble opinion, is that when the adultress dies, her lover moves in with her husband. Greene explains that like it’s the most natural thing in the world, but it really creeped me out. The rest of The End Of The Affair is just Bendrix trying to reconcile Sarah’s death and her supposed faith, trying to figure out whether there really is a God, yadda yadda yadda. It’s heavy stuff, but the book is really short, so there’s not a lot of time for exposition: he just has a few revelations, but stays mad. The end.



Yes, The End Of The Affair is super-short. In fact, it reads more like a long short-story than a novel. Greene did his best to address major questions about faith, religion, obsession, jealousy, and the obligations placed upon men and women in hetero relationships, in as few words as possible. It really reminded me of that TED talk about jealousy in literature, which is well worth checking out.

My tl;dr summary: The End Of The Affair is a short novel about a scorned lover’s creepy pursuit of his best mate’s wife, who dies mid-way through her conversion to Catholicism. If I had to sum the book up in a single word, I would choose “bitter”: it sounds bitter, it feels bitter, it tastes bitter on your tongue as you read it. It’s not a romantic read, and probably not one to pick up if you’re looking to restore your faith in God (or humanity, come to that), but it’s certainly an interesting cautionary tale: never dump a writer without telling him why, or chances are you’ll find yourself a character in a book like this one.

My favourite Amazon reviews of The End Of The Affair:

  • “My third time out with Greene. The guy’s a bore. The End of the Affair is  like having the Watchtower shoved at you by a Jehovah’s Witness with a really high opinion of himself.” – Fintan Ryan
  • “A boring book about people who don’t like each other very much but had an affair anyway,
    Another story of English men and women who were unable to confront their desires realistically. This is one of the reasons that I read non-fiction.” – Gordon R. Flygare
  • “I listened to this book on tape on a drive from Connecticut to Boston and tired of the man and woman constantly fighting. There was just too much drama in the car that day. I couldn’t take anymore. I haven’t fought that much with my husband over 33 years as took place within 3 hours of that car trip. Never was I so glad to get to my destination and tell the couple not to take themselves and their relationship, so seriously. Would not recommend this book on a car trip. Maybe it’s a better read.” – L. M. Keefer
  • “A woman goes to church like once and has some vague emotional experience. According to Graham Greene, this makes her a Catholic, a true religious woman. I’ve had orgasms with more depth than this novel.” – Lincott


Book Reviews By Title

A

The Adventures of Augie March – Saul Bellow
The Adventures of Huckleberry Finn – Mark Twain
The Adventures of Sherlock Holmes – Arthur Conan Doyle
The Age Of Innocence – Edith Wharton
The Alchemist – Paulo Coelho
Alice’s Adventures In Wonderland – Lewis Carroll
All The King’s Men – Robert Penn Warren
All The Light We Cannot See – Anthony Doerr
American Sniper – Chris Kyle
Amongst Women – John McGahern
An American Marriage – Tayari Jones
An Artist Of The Floating World – Kazuo Ishiguro
The Arsonist – Chloe Hooper
As I Lay Dying – William Faulkner

B

The Bell Jar – Sylvia Plath
Big Little Lies – Liane Moriarty
The Big Sleep – Raymond Chandler
The Book Thief – Markus Zusak
The Brain That Changes Itself – Norman Doidge
Brave New World – Aldous Huxley
A Brief History of Time – Stephen Hawking

C

Call Me By Your Name – Andre Aciman
The Call Of The Wild – Jack London
Catch-22 – Joseph Heller
The Catcher In The Rye – J.D. Salinger
Clarissa – Samuel Richardson
A Clockwork Orange – Anthony Burgess
Cold Comfort Farm – Stella Gibbons
The Colour Of Magic – Terry Pratchett
Convenience Store Woman – Sayaka Murata
Crime And Punishment – Fyodor Dostoyevsky
The Curious Incident Of The Dog In The Night-Time – Mark Haddon

D

David Copperfield – Charles Dickens
Divergent – Veronica Roth
The Divine Comedy – Dante
Don Quixote – Miguel de Cervantes
Dracula – Bram Stoker
The Dressmaker – Rosalie Ham
Dyschronia – Jennifer Mills

E

Emma – Jane Austen
The End Of The Affair – Graham Greene

F

Fahrenheit 451 – Ray Bradbury
Fangirl – Rainbow Rowell
The Fault In Our Stars – John Green
Finding Nevo – Nevo Zisin
Frankenstein – Mary Shelley
Frankissstein – Jeanette Winterson

G

A Game Of Thrones – George R.R. Martin
Gentlemen Prefer Blondes – Anita Loos
The Girl On The Train – Paula Hawkins
Girl Online – Zoe Sugg
The Golden Bowl – Henry James
The Golden Notebook – Doris Lessing
Good Talk – Mira Jacob – Coming Soon!
The Grapes Of Wrath – John Steinbeck
The Great Gatsby – F. Scott Fitzgerald
Gulliver’s Travels – Jonathan Swift

H

The Handmaid’s Tale – Margaret Atwood
The Happiest Refugee – Anh Do
The Hate U Give – Angie Thomas – Coming Soon!
The Heat Of The Day – Elizabeth Bowen
Her Body And Other Parties – Carmen Maria Machado
The Hitchhiker’s Guide To The Galaxy – Douglas Adams
The Hunger Games – Suzanne Collins
The Husband’s Secret – Liane Moriarty

I

If I Stay – Gayle Forman
In Cold Blood – Truman Capote

J

Jane Eyre – Charlotte Brontë

K

Kim – Rudyard Kipling

L

Lady Chatterley’s Lover – D.H. Lawrence
The Lake House – Kate Morton
Less – Andrew Sean Greer
The Life And Opinions Of Tristram Shandy, Gentleman – Laurence Sterne
Life After Life – Kate Atkinson
Little Women – Louisa May Alcott
Lolly Willowes – Sylvia Townsend Warner
Lord Of The Flies – William Golding

M

The Maltese Falcon – Dashiell Hammett
A Man Called Ove – Fredrik Backman
The Manic Pixie Dream Boy Improvement Project – Lenore Appelhans
The Martian – Andy Weir
The Maze Runner – James Dashner
Me Talk Pretty One Day – David Sedaris
Moby Dick – Herman Melville
Money – Martin Amis
Mrs Dalloway – Virginia Woolf
Murphy – Samuel Beckett
My Brilliant Career – Miles Franklin
My Brilliant Friend – Elena Ferrante
My Sister, The Serial Killer – Oyinkan Braithwaite

N

The Narrow Road To The Deep North – Richard Flanagan
Nineteen Nineteen – John dos Passos
Normal People – Sally Rooney

O

On The Road – Jack Kerouac
The One-Hundred-Year Old Man Who Climbed Out The Window And Disappeared – Jonas Jonasson
One Hundred Years Of Solitude – Gabriel García Márquez

P

Paper Towns – John Green
Party Going – Henry Green
A Passage To India – E.M. Forster
The Picture of Dorian Gray – Oscar Wilde
The Pilgrim’s Progress – John Bunyan
Portnoy’s Complaint – Philip Roth
Pride And Prejudice – Jane Austen
The Prime of Miss Jean Brodie – Muriel Spark

Q

R

Religion for Atheists – Alain de Botton
Robinson Crusoe – Daniel Defoe
The Rosie Project – Graeme Simsion

S

Sanditon – Jane Austen
The Scarlet Letter – Nathaniel Hawthorne
Scoop – Evelyn Waugh
She Came To Stay – Simone de Beauvoir
A Short History of Nearly Everything – Bill Bryson
A Short History of Tractors in Ukrainian – Monica Lewycka
A Single Man – Christopher Isherwood
Stay Sexy and Don’t Get Murdered – Karen Kilgariff and Georgia Hardstark
Still Alice – Lisa Genova
The Story Of A New Name – Elena Ferrante
Strange Case of Dr Jekyll and Mr Hyde – Robert Louis Stevenson
The Sun Also Rises – Ernest Hemingway
Sybil – Benjamin Disraeli

T

The Thirty-Nine Steps – John Buchan
To All The Boys I’ve Loved Before – Jenny Han
To Kill A Mockingbird – Harper Lee
Tracker – Alexis Wright
Tropic Of Cancer – Henry Miller
True History Of The Kelly Gang – Peter Carey
Turn Of The Screw – Henry James

U

Ulysses – James Joyce
Under The Dome – Stephen King

V

Vanity Fair – William Makepeace Thackeray

W

We Are All Completely Beside Ourselves – Karen Joy Fowler
We Were Liars – E. Lockhart
The White Mouse – Nancy Wake
Wild – Cheryl Strayed
The Wind In The Willows – Kenneth Grahame
Wuthering Heights – Emily Brontë

X

Y

Yes Please – Amy Poehler

Z

Book Reviews By Author

A

Call Me By Your Name – Andre Aciman
The Hitchhiker’s Guide To The Galaxy – Douglas Adams
Little Women – Louisa May Alcott
Money – Martin Amis
The Manic Pixie Dream Boy Improvement Project – Lenore Appelhans
Life After Life – Kate Atkinson
The Handmaid’s Tale – Margaret Atwood
Emma – Jane Austen
Pride And Prejudice – Jane Austen
Sanditon – Jane Austen

B

A Man Called Ove – Fredrik Backman
She Came To Stay – Simone de Beauvoir
Murphy – Samuel Beckett
The Adventures of Augie March – Saul Bellow
Religion for Atheists – Alain de Botton
The Heat Of The Day – Elizabeth Bowen
Fahrenheit 451 – Ray Bradbury
My Sister, The Serial Killer – Oyinkan Braithwaite
Jane Eyre – Charlotte Brontë
Wuthering Heights – Emily Brontë
A Short History of Nearly Everything – Bill Bryson
The Thirty-Nine Steps – John Buchan
The Pilgrim’s Progress – John Bunyan
A Clockwork Orange – Anthony Burgess

C

In Cold Blood – Truman Capote
True History Of The Kelly Gang – Peter Carey
Alice’s Adventures in Wonderland – Lewis Carroll
Don Quixote – Miguel de Cervantes
The Big Sleep – Raymond Chandler
The Alchemist – Paulo Coelho
The Hunger Games – Suzanne Collins

D

The Divine Comedy – Dante
The Maze Runner – James Dashner
Robinson Crusoe – Daniel Defoe
David Copperfield – Charles Dickens
Sybil – Benjamin Disraeli
The Happiest Refugee – Anh Do
All The Light We Cannot See – Anthony Doerr
The Brain That Changes Itself – Norman Doidge
Crime And Punishment – Fyodor Dostoyevsky
The Adventures of Sherlock Holmes – Arthur Conan Doyle

E

F

As I Lay Dying – William Faulkner
My Brilliant Friend – Elena Ferrante
The Story Of A New Name – Elena Ferrante
The Great Gatsby – F. Scott Fitzgerald
The Narrow Road To The Deep North – Richard Flanagan
If I Stay – Gayle Forman
A Passage To India – E.M. Forster
We Are All Completely Beside Ourselves – Karen Joy Fowler
My Brilliant Career – Miles Franklin

G

One Hundred Years Of Solitude – Gabriel García Márquez
Still Alice – Lisa Genova
Cold Comfort Farm – Stella Gibbons
Lord Of The Flies – William Golding
The Wind In The Willows – Kenneth Grahame
Party Going – Henry Green
Paper Towns – John Green
The Fault In Our Stars – John Green
The End Of The Affair – Graham Greene
Less – Andrew Sean Greer

H

The Curious Incident Of The Dog In The Night-Time – Mark Haddon
The Dressmaker – Rosalie Ham
The Maltese Falcon – Dashiell Hammett
To All The Boys I’ve Loved Before – Jenny Han
A Brief History Of Time – Stephen Hawking
The Girl On The Train – Paula Hawkins
The Scarlet Letter – Nathaniel Hawthorne
Catch-22 – Joseph Heller
The Sun Also Rises – Ernest Hemingway
The Arsonist – Chloe Hooper
Brave New World – Aldous Huxley

I

A Single Man – Christopher Isherwood
An Artist Of The Floating World – Kazuo Ishiguro

J

Good Talk – Mira Jacob – Coming Soon!
The Golden Bowl – Henry James
Turn Of The Screw – Henry James
The One-Hundred-Year Old Man Who Climbed Out The Window And Disappeared – Jonas Jonasson
An American Marriage – Tayari Jones
Ulysses – James Joyce

K

On The Road – Jack Kerouac
Stay Sexy and Don’t Get Murdered – Karen Kilgariff and Georgia Hardstark
Under The Dome – Stephen King
Kim – Rudyard Kipling
American Sniper – Chris Kyle

L

Lady Chatterley’s Lover – D.H. Lawrence
To Kill A Mockingbird – Harper Lee
The Golden Notebook – Doris Lessing
A Short History Of Tractors In Ukrainian – Monica Lewycka
We Were Liars – E. Lockhart
The Call Of The Wild – Jack London
Gentlemen Prefer Blondes – Anita Loos

M

Her Body And Other Parties – Carmen Maria Machado
A Game Of Thrones – George R.R. Martin
Amongst Women – John McGahern
Moby Dick – Herman Melville
Tropic Of Cancer – Henry Miller
Dyschronia – Jennifer Mills
Big Little Lies – Liane Moriarty
The Husband’s Secret – Liane Moriarty
The Lake House – Kate Morton
Convenience Store Woman – Sayaka Murata

N

O

P

Nineteen Nineteen – John dos Passos
The Bell Jar – Sylvia Plath
Yes Please – Amy Poehler
The Colour Of Magic – Terry Pratchett

Q

R

Clarissa – Samuel Richardson
Normal People – Sally Rooney
Portnoy’s Complaint – Philip Roth
Divergent – Veronica Roth
Fangirl – Rainbow Rowell

S

The Catcher In The Rye – J.D. Salinger
Me Talk Pretty One Day – David Sedaris
Frankenstein – Mary Shelley
The Rosie Project – Graeme Simsion
The Prime Of Miss Jean Brodie – Muriel Spark
The Grapes Of Wrath – John Steinbeck
The Life And Opinions Of Tristram Shandy, Gentleman – Laurence Sterne
Strange Case of Dr Jekyll and Mr Hyde – Robert Louis Stevenson
Dracula – Bram Stoker
Wild – Cheryl Strayed
Girl Online – Zoe Sugg
Gulliver’s Travels – Jonathan Swift

T

Vanity Fair – William Makepeace Thackeray
The Hate U Give – Angie Thomas – Coming Soon!
Lolly Willowes – Sylvia Townsend Warner
The Adventures of Huckleberry Finn – Mark Twain

U

V

W

The White Mouse – Nancy Wake
All The King’s Men – Robert Penn Warren
Scoop – Evelyn Waugh
The Martian – Andy Weir
The Age Of Innocence – Edith Wharton
The Picture Of Dorian Gray – Oscar Wilde
Frankissstein – Jeanette Winterson
Mrs Dalloway – Virginia Woolf
Tracker – Alexis Wright

X

Y

Z

Finding Nevo – Nevo Zisin
The Book Thief – Markus Zusak

Party Going – Henry Green

I think we all know by now that if you take a handful of rich people and put them in a confined space, you’re going to get some good drama. It’s a formula that’s worked for reality TV for years, and before that, Henry Green used it as the premise for his 1939 novel Party Going.

Party Going, according to the blurb, is a “darkly comic valediction to what W.H. Auden famously described as the ‘low dishonest decade’ of the 1930s”. It’s a slim volume, closer to a novella in length than a novel. Most editions don’t actually publish it stand-alone; it’s usually packaged alongside two of Green’s other novels (Living, and Loving). The introduction to this copy was written by Amit Chaudhuri, and it’s full of name-drops. Henry Green was a contemporary of Graham Greene. He was an Oxford friend of Evelyn Waugh. John Updike called him a “saint of the mundane”. And Virginia Woolf’s imprint, the Hogarth Press, published Party Going. As to Green’s style, Chaudhuri says this book is a “masterpiece of literary impressionism”.

“Green in fact stands somewhere between James Joyce, in his tendency to be intolerant of ‘normal’ English syntax and punctuation, and Virginia Woolf, in his sense of how narrative can be shaped by things outside of event.”

Amit Chaudhuri, Introduction

There aren’t a whole lot of “events” in this plot, really, so it’s a good thing there’s other stuff to shape the narrative, otherwise I don’t know where we’d be. Six young, wealthy people – Max, Amabel, Angela, Julia, Evelyn, and Claire – all gather at a train station en route to a house party in France. They find that all the trains are delayed due to severe fog, so they take rooms in the adjacent railway hotel (rather than linger on the platform with the unwashed masses). That’s about all of the action, really; the rest of the story plays out in their relationships and gossiping, and Green tells different versions of it simultaneously.



The historical context for Party Going is important. Yes, they’re all idle rich bitches, and idle rich bitches are equally vapid and shallow, no matter where or when they are, but the reader should bear in mind that this all takes place in England right before the outbreak of WWII. It’s a dark contrast, really: the minutia of their sparkly lives and scandals, set against the backdrop of an emerging conflict that will devastate the world. These characters, oblivious and self-obsessed, are “waltzing blithely towards oblivion”. An English major might say that the train-delaying fog actually represents the cold, menacing threat of the future.

Party Going consists mostly of talk, which is mostly about nothing. Once the premise of the delayed train is established, the only real “action” to be found is a battle between Julia and Amabel for the affections of playboy Max. And there’s one strange woman, Miss Fellowes (Claire’s aunt): she falls subject to a mysterious “illness” (Green seems to imply drunkenness, but I could be wrong), and becomes obsessed with a dead pigeon she finds. While her aunt is flailing and wailing about the pigeon, Claire focuses on trying to convince everybody that she’s not heartless for wanting to leave to party with them instead of sticking around to care for the old biddy. Well, it seems important to Claire at least that everyone knows that; no one else really gives a shit. Suffice to say that all of these characters are spoiled, selfish, and horny. They treat their staff (maids and porters) like commodities, to be traded and summoned at will. All they think about is how best to fiddle the social abacus to benefit themselves.

There’s not much else to say about Party Going, really. If you didn’t enjoy Mrs Dalloway, then this is not the book for you. It’s more readable, yes, and less intensely modernist, but at the end of the day, it’s still a short book that takes a long time to read, about a bunch of privileged white people lolling about and preparing for a party.

My favourite Amazon reviews of Party Going:

  • “Short on wit.” – uncle tom
  • “John Updike is one of my favorite writers, but I found reading Henry Green like reading Upstairs, Downstairs in ultra-slow motion.” – J.M. Walker



Scoop – Evelyn Waugh

Ever wonder why I’m constantly buying secondhand books? Aside from being thrifty, it’s because they have the most amazing and hilarious charm that I just don’t get when I click “buy now” on the latest brand-new mass-market paperback. Inside this well-worn copy of Scoop by Evelyn Waugh, for instance, I found a hand-written business card, complete with name, phone number, email address, and the (one would assume unofficial) job title of “complete and utter wanker”. Can’t beat that!

Evelyn Waugh was the second son of Arthur Waugh, celebrated publisher-slash-literary critic, and also the brother of Alec Waugh, the popular novelist. I can only imagine the weight of family expectation on his shoulders, and the snippy conversations they had over Christmas dinners! Luckily, it would seem that he managed to out-write and out-last them both. He’s better known for his book Brideshead Revisited, but somehow Scoop, his satirical novel about sensationalist journalism and foreign correspondents, is the one that ended up on my reading list.

It’s kind of funny, really, to read a book about journalists and newspapers written before the News Of The World scandal. Scoop reads like a time capsule of the by-gone “heyday” of newspaper journalism. The protagonist is the humble (read: poor) William Boot, who lives on the very-very outskirts of London and regularly contributes over-written nature columns to The Daily Beast, a newspaper owned by the terrifying and powerful Lord Copper. Boot’s life is turned upside-down when Lord Copper mistakes him for a fashionable member of the literati (John Courtney Boot, a distant cousin), and bullies him into accepting a post as a foreign correspondent.

Not-very-important note, but something I can’t help mentioning: Waugh seemed to be unusually fond of the word “preternatural”. I had to look it up, to make sure it didn’t have some nuanced meaning or significant etymology, he used it so often! Twice in the first twenty pages alone, for crying out loud! In different contexts! I still can’t work out what he was playing at…



Anyway, Boot is sent to the fictional East African state of Ishmaelia, where Lord Copper believes there to be “a very promising little war” underway. Boot’s directive is to give the conflict “fullest publicity”. (Yes, the whole way through, the parallels to Murdoch’s real-life media empire are eerie.) Boot has no idea what the fuck he is doing, of course, but despite his total incompetence, he manages to get the biggest “scoop” of the year (thus, the title). He heads home a journalistic hero.

When he gets back to London, however, there’s another case of mistaken identity. All the credit for his work goes to John Courtney Boot, the writer for whom Lord Copper had mistaken him initially. Our hero is actually relieved by that turn of events, and he goes back to his humble life of genteel poverty, writing nature columns and caring for his crazy family. Everyone goes home happy, The End.

Now, let’s not overlook this: there are a lot of ugly racist and sexist overtones in this story (as there are in just about every book of that era). Privileged white people travel to East Africa to make a spectacle of a war between people of colour, in order to sell newspapers. That’s pretty gross on its face, but Waugh seemed to have a certain level of self-awareness about the implications. In fact, I’d say he used Scoop as an opportunity to punch up. The East Africans weren’t the butt of the joke: the ridiculous arrogant journalists and newspaper moguls were. And Waugh wasn’t subtle: the two major newspaper competitors were called the “Brute” and the “Beast”, so there’s no mistaking his true feelings. (Oh, and his idea of the lowliest employee at a newspaper was the book reviewer – ha!)



Waugh’s blatant disregard for the opinions of the powerful elites he lampooned is all the more surprising given that Scoop is actually based on his real-life experience working for the Daily Mail. He was sent to cover Mussolini’s role in the Second Italo-Abyssian war. Lord Copper is widely believed to be an amalgamation of characteristics of the real-life Lord Northcliffe and Lord Beaverbrook, a combination that produced a character so frightening his underlings could only say “Definitely, Lord Copper” and “Up to a point, Lord Copper” (which is how the whole mistaken identity issue arises to begin with). Waugh’s Scoop is the very clear and unambiguous predecessor to The Devil Wears Prada.

The main point Waugh was trying to make, it would seem, is that even if there isn’t anything newsworthy going on, the appearance of world media – desperate to please their editors and media owners back home – will, in itself, create the news. This sounds like an obvious statement of fact today, but I’d imagine at the time it was revelatory. Waugh appears to have foreseen the proliferation of fake news and alternative facts. It’s a testament to his searing insight that Scoop maintains its relevance to the present day. Even as journalism dies a quiet death and the newspaper work room becomes a quaint relic and the news increasingly relocates to online formats with instantaneous delivery systems, Waugh’s wit and insight remains almost as sharp as it did at the time of publication.

As for the writing itself, as much as I admire Waugh’s incredible foresight in his premise and plot, it wasn’t mind-blowing. It really evoked The Thirty-Nine Steps for me, actually – a grumpy Pommy bloke, through a series of coincidences, gets thrust into a situation that’s beyond him and he has to rise to the challenge. It forms a kind of bridge between The Thirty-Nine Steps and The Sun Also Rises. I liked it well enough; it wasn’t fantastic prose, but it wasn’t a chore to finish, and I’m glad to have read it. If you’ve got an interest in media, how it works and how it affects our understanding of the world, this would be great background reading for you – give it a go and let me know what you think.

My favourite Amazon reviews of Scoop:

  • “Somewhere between William Boyd’s “A Good Man in Africa” and Graham Greene’s “Our Man In Havana” you will find Waugh’s “Scoop”, which should have been titled “Our Gardening Columnist in Ishmaelia”….” – Pop Bop
  • “I think some people would find this very funny. I didn’t.” – ellen sf
  • “Book was brand new and I loved the size of the font! Extra easy to leave nits in the margin (because I am studying the novel for a class)” – Ebony Cannon
  • “She’s a he. Pronounced EEEEE-velyn.” – Amazon Customer
  • “‘Feather-footed through the plashy fen passes the questing vole.’ That must babe good style.” – A customer


« Older posts