I got my toe wet with The Hunger Games, and now I’m diving into the pool with a proper classic. The Scarlet Letter was published in 1850 – an instant best-seller, though in its first fourteen years, Nathaniel Hawthorne made only $1,500 from its release. It was one of the first mass-produced books in America.
Reading the introductions to the classics is very important: the good ones really do provide some excellent context (and make you feel less stupid, because you know what you’re in for ahead of time). In this case, it turns out Hawthorne’s maternal ancestors were tried in New England on the charge of incest; among other things, they were sentenced to appear at the village church on the following lecture day with signs bearing the word “INCEST” pinned to their caps. So, it’s hard to imagine where he drew his inspiration…
“The Scarlet Letter: A Romance” proclaimed the first page. This sounded promising (I’m a sucker for books with dirty bits). Alas, save for a couple of references to clandestine trysts and being held against a bosom, I was left wanting.
So, we kick off with a 60-page character sketch of all the fellows that ran the Customs House. The narrator bitches them out pretty hard (calling the other blokes “wearisome old souls, who had gathered nothing worth preservation from their varied experience of life” – burn!), and I heard it caused issues for Hawthorne upon publication – but he said fuck-the-haters and published as-is anyway, good on him. Anyway, it takes a while to link this chapter to the story itself: 60 pages (of pissing and moaning) in, the narrator finally finds a piece of red cloth with an A stitched into it, and we’re off to the races!
By “off to the races”, I do – of course – mean “let’s see how many ways Hawthorne can show and tell us that he hates the Puritans”. I was expecting this novel to be some kind of statement on the oppression of female sexuality, or at the very least a “romance” as the cover page styled it. In reality, it’s a 300-page rant about how much the Puritans suck. I’m really not sure what Hawthorne was thinking about his target market. I mean, anyone who reads this and feels vindicated already agrees that the Puritans need to get in the bin. And it’s not like Lyle Shelton’s going to pick this up and think “By golly, good point!”.
(And holy crap, Batman – long sentences abound! I’m a fan of the generous use of the comma and semi-colon, but old mate Hawthorne needs to learn to finish a thought. 14 lines without a full stop? I barely manage that after six coffees.)
The protagonist, Hester Prynne, is a bad bitch who had the audacity to get herself knocked up while her husband was lost at sea, and she does not give a fuck that this is all the tea for the girls in town for years. She refuses to give up the name of the baby-daddy, even with a bunch of idle ladies-who-lunch standing around talking about how their husbands should have executed her. She was pretty much the first ride-or-die chick. And she is ready to dismantle the patriarchy and smack the Stockholm syndrome right out of all the women who are slave to it:
“As a first step, the whole system of society is to be torn down, and built up anew… woman cannot take advantage of these preliminary reforms, until she herself have undergone a still mightier change.”
– Hester Prynne (Bad Bitch)
We find out pretty quickly that the town’s minister is the one who got her into this mess, and I don’t mind saying it’s not exactly a shocking Vader-esque paternity reveal. Even if I hadn’t encountered the spoilers in the introduction: (a) he’s the only male character to be examined thoroughly since we left those old-timers back at the Customs House, and (b) it just fits so neatly into Hawthorne’s vendetta against the Puritanical church. Of course there’s a sordid underbelly! Hell, the foundation of the Church was a woman’s fib about the paternity of a kid born in a barn. In its original context, yes, The Scarlet Letter’s plot “twist” might have been shocking, and the symbolic fuck-you to conservative religion might have seemed a little more subtle, but in this millennium I’m not sure it would even warrant a spoiler warning.
There’s a lot of hand-wringing and chest-clutching from Hester and Minister Baby-Daddy, especially once Hester’s long-lost husband returns from sea and starts doctor-ing under an assumed name. Their dramatics seemed kind of quaint, Hubby really didn’t pose much of a threat: he just sort of hung around for seven years, and showed no balls at all. No stabbings. No ratting them out. And yet Hester’s wailing about how “herbs would turn to poison in his hands”. Smh…
Hester and Minister Baby-Daddy hatch a cunning secret plan to sail away together, but Long-Lost Hubby thwarts them by getting himself passage on the very same boat. Not to be outdone in dramatics, Minister Baby-Daddy gives the town one final (excellent) sermon, concluding with a confession of his great sin to the entire town, and then he dies (very dramatically) in Hester’s arms. Well, fuck, says Long-Lost Hubby: according to the conclusion, he brooded over being upstaged for about a year or so, before topping himself and leaving a considerable fortune to that little shit Pearl.
(Oh, yeah, the kid! “Pearl”. A nosy pain in the arse from the beginning. She wouldn’t stop asking questions and running amok, the absolute worst. Do not want.)
The themes of The Scarlet Letter are pretty common and timeless; it’s not hard to see why it’s been adapted for the stage and screen a few million times. It’s a good one to talk about at parties, but the way in which it’s written isn’t all that engaging (God, Hawthorne needed an editor to add a few full stops). I probably won’t read it again, but you should give it a go if you’re into an old-timey Gilmore Girls.
My favourite Amazon reviews of The Scarlet Letter:
- “Did this for school. It was awful. Luckily, I got it for free since it’s so old. But now that means I can’t burn it. That being said, I did like it as a digital download, and that really helped with reading since looking up words is so easy.” – Kyle
- “I find Hawthorne descriptive to the point of tedious. I believe writers got paid by the word in his day, and it certainly seemed so in the beginning of the book…” – Cynthia D. Feeney
- “Shipped on time and reads like a book” – Claude Womack