Keeping Up With The Penguins

Reviews For The Would-Be Booklover

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David Copperfield – Charles Dickens

Who would have thought this day would come so soon? Here it is, folks: my first wholehearted unreservedly Recommended read on Keeping Up With The Penguins. It’s David Copperfield, from the master himself Charles Dickens.

Honestly, though, it was kind of a stacked deck: not just because Dickens is the Grand Poobah of English literature, but also because – for me – he’s inextricably linked to the memory of my late grandfather, who idolised Dickens and practically memorised every word he wrote. Clearly, I was genetically predisposed to enjoy his work. This gorgeous two-volume set was plucked from my grandparents’ collection, and I’m sure Granddad would have been damn proud that I finally got around to reading it.

David Copperfield appeared first in a twenty-month serial from 1849 to 1850, before being published as a novel (and, after the mess that was Vanity Fair, that was almost enough to put me off!). The Introduction didn’t inspire much optimism, either: it was written by J.B. Priestly who didn’t seem to be all that big a fan, to be honest. And he kindly pointed out that Dickens employed severe Victorian censorship on all sexual matters (booo!).

Priestly can suck it, though, because Dickens is a fucking God. I get it now. David Copperfield is a long book, don’t get me wrong, but I fucking devoured the thing like a drunk woman eating a kebab. Every word is purposeful, every character is a delectable caricature, every element of the story is consistent and compelling, and every emotion beautifully captured and rendered. Priestly hung a lot of shit on Dickens for what he called “supermarket” writing: novels were the primary source of family entertainment at the time (the Netflix of Victorian England, really), so Dickens had to write about politics for the fathers and adventures for the sons and romance for the mothers and daughters. Priestly didn’t like that, but I thought it’s precisely this”chuck-in-a-bit-of-everything” style that makes David Copperfield such an incredible book.




The story of David Copperfield begins with his birth to a rather mopey young widow, and his early years being raised by her and her housekeeper. His mother remarries early on, but his New Daddy is an abusive son of a bitch and Dave is promptly sent off to a prison disguised as a boarding school. The kid meets some good chaps there, but it all-around sucks, and even his exodus is a bit of a bummer as it comes on account of his mother’s untimely stress-related death. New Daddy fires the nice housekeeper and sends Dave off to work in a wine factory (I didn’t think that bit sounded so bad, but the kid really hated it). Things get increasingly shit for young Dave, with starvation and his landlord going to prison and everything, so he takes it into his head to run away and find his rich old aunt.

Then things start looking up: he finds Aunt Betsey, she takes him in and sets him up for life. She is undoubtedly the baddest bitch in this story, and I adored her. She has no hesitation in telling people to fuck right off when they stick their noses in, and she protects and cherishes this charming old guy Mr Dick (the bloke’s a few sandwiches short of a picnic, but Betsey makes damn sure no one is shipping him off to a home). Betsey sets Dave up in a school without daily beating or torture (fancy!), and sponsors his gap-year to travel and “find himself”.

Dave finally settles down into a respectable profession, and promptly falls in love with his boss’ daughter. She’s extremely basic, but Dave doesn’t seem to notice, and he finally gets to marry her after her father croaks – only, she’s not that great at wifeing, and she dies pretty soon after, too. Dave’s mates get into all sorts of trouble with money and politics and love, and there’s some unpleasant business with women falling from grace and turning to lives of prostitution and such – all of the characters weave in and out of Dave’s life, and yet are described so richly and have such entertaining development that you never once lose track of who they are or what they’re about.


In the end, a bunch of his mates ship off to Australia to start over, another bunch of them die (that’s how you can tell the story’s wrapping up – a device I’m noticing is rather common in 19th century literature), and Dave marries the girl who’s secretly pined after him all his life. He becomes a successful writer and spawns a bunch of kids, the good guys live happily ever after, and the bad guys go to prison. Isn’t that fucking great?!

My favourite thing about Dickens, though, is that I never once felt like I was missing the point – which is the feeling I get with basically every classic book or poem I read. Dickens was never condescending, and yet his writing never went over my head (despite the 150-year time lapse). I didn’t even roll my eyes that much at the privileged white guy writing about privileged white guys: there was a whole lot less sexism than I expected, and most of the female characters were strong and sassy and ran circles around a lot of the ones written today (hats off to Aunt Betsey!). Of course, there’s a whole stack of issues with lack of representation in this kind of literature, and I’m not blind to that… but it didn’t stop me really loving this book.

Dickens said that David Copperfield was his “favourite child” and I can see why. This has been the best outcome of The List so far, and even if I were to stop right here (which I won’t), I’d be coming out ahead. I strongly recommend David Copperfield to anyone who likes… books. (And, even if you don’t, I hear the audio-book version is excellent, so give that a crack.)

My favourite Amazon reviews of David Copperfield:

  • “Smartly written trash, no doubt – but trash nonetheless. About 1 million words of it!” – Alex Kane
  • “Charles Dickinson is a timeless writer” – thimble19
  • “Charles Dickens won’t read this so it doesn’t matter what I say…” – Katie Barnes

 

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Stamps In My Book Passport

It was fun looking at how far I’ve travelled through time in my books, so I figured why not look at where in the world they’re taking me, too? I was also inspired by an amazing TED talk by Ann Morgan, who committed a year of her life to reading a book from every single country in the world. I’ve talked before about how my current reading list isn’t great from a diversity perspective, so I knew that my book passport wouldn’t have that many stamps, but it wasn’t quite as bad as I was expecting. Take a look…!

Stamps In My Book Passport - Text Overlaid on Image of Passports Laying On Top Of Map - Keeping Up With The Penguins

Unsurprisingly, given that I’m reading English-language books and I’m based in Australia, the most frequently-visited countries are Australia (The Dressmaker, The Rosie Project, and so on), the U.K. (Austen, Dickens, and so forth), and the U.S.A. (To Kill A Mockingbird, The Age Of Innocence, etc.). However, it would seem I’m also doing frequent trips to France, which I hadn’t realised before now (Tropic of Cancer, The White Mouse, and others).

I’ve also been to India a couple of times (A Passage To India, Kim), and to Spain (The Alchemist, Don Quixote), and to Germany (The Book Thief, All The Light We Cannot See). I put together this map, for a visual representation:

World Map Shaded By Settings of Books Read - Keeping Up With The Penguins

Of course, by necessity, this tally excludes trips to apocalyptic futures (The Hunger Games, A Clockwork Orange, and the like), and fantasy worlds (A Game of Thrones, Gulliver’s Travels, and similar), and space (The Hitchhiker’s Guide To The Galaxy, The Martian, and more).

I’d really love to spend some more time in Africa, so that will be one focus for The Next List. I’m also surprised that I haven’t yet “been” to Canada or New Zealand! It’s been such a useful exercise to look at my reading this way, I think I’ll keep checking in and (hopefully) someday this map will be a sea of green.


Aren’t books magical? It would take me years to plan, save for, and undertake a trip to all of these places, but through books I can visit them all in a day or two. Where have your books taken you lately? Share your travels in the comments (or over at KUWTP on Facebook!).

What Makes A Book A Classic?

What makes a book a classic? There are about as many answers to that question as there are booklovers. When I started the Keeping Up With The Penguins project, my goal was to catch up on all the classic books that everyone else seemed to have already read, even though I only had the most nebulous idea of what that actually meant. In categorising my reviews, I’ve used the rough guesstimation that books over 100 years old that are still in circulation must be classics, but over time I’ve come to realise that this might not be the only measure. So, let’s take a look at this eternal question and answer it for ourselves: what makes a book a classic? 

What Makes A Book A Classic? - Text Overlaid on Collage of Penguin Classics Book Covers - Keeping Up With The Penguins

Is “Classic” Even The Right Word To Use?

First off, let’s make sure we’re all talking about the same thing. Classic books are those we hold up as being exemplary or noteworthy in some fashion (more on that in a minute). Whether or not a book is considered a “classic” will change over time, between readers, and so forth. It’s a floating target, unlike related concepts like “the canon”.

The canon is more like a specific list of books that are considered “essential” in our understanding of a period, area, or group. That’s why you might hear reference to the “Western canon” (which would include books like David Copperfield, The Divine Comedy, and The Adventures Of Huckleberry Finn), or the “African American canon” (which would include books like Beloved, I Know Why The Caged Bird Sings, and Their Eyes Were Watching God). The canon is usually presented as a reading list, by a university or publisher. Consider it the cousin that comes to your classic books barbecue wearing an Armani suit.

Is every classic book written by a dead, white man?

Let’s address the big, hairy problem right up front: too often, when we talk about “classic” books, we’re talking about the ones written by dead white men. Straight men, non-disabled men, and men of wealth and power. There are exceptions, of course – Oscar Wilde’s The Picture of Dorian Gray, for instance, or the works of the Brontë sisters – but for the most part, it’s privileged white dudes all the way down.

I don’t think there’s anyone out there who honestly believes that those men are the only ones who wrote books worthy of being designated as classics, so why are writers of other identities so often overlooked? Reasons abound, to be honest, and I could probably write a thesis on the topic. For now, suffice to say, I think it’s a combination of a few factors: historically, white men were the only ones who had the opportunity to write (by virtue of their wealth and power) and the networks to disseminate their stories; the stories they published reflected a prevailing worldview, which made them popular; and the ivory towers were mostly staffed by more white men, who felt most comfortable teaching their students books written by people who looked like them (meaning students of that particular identity were more likely to take up a pen, see-it-to-be-it and all). On and on the cycle goes…





So, we must do what we can to redress the balance. Make sure that the criteria you choose to judge for yourself what makes a book a “classic” isn’t exclusionary. When you find yourself perusing shelves of classics, look for the works by women, by people of colour, by people with disabilities, by LGBTIQ+ people – any work from a perspective that has been marginalised in the past. Request those books, review them, recommend them, and make sure they get the recognition they deserve. By the magic of the internet, these works are now reaching previously-unimaginable audiences, and the publishers and gatekeepers are hearing the demands of readers to expand their catalogue. Keep fighting the good fight!

Criteria to Consider When Defining Classic Books

Let’s get to the fun stuff! How do we decide whether a book should be called a “classic”?

Age

This is the most common, and most obvious, criterion: age. Or, put another way, we can be fairly confident that a book that has endured for decades or centuries – that has “stood the test of time”, if you will – is a classic. It’s a great idea because it’s easily quantifiable; there’s nothing subjective about how many years a book has been around, which means fewer arguments. But how old does a book have to be to be a “classic”, exactly? I used the nice round figure of 100 years, for simplicity, but that (of course) shifts year-by-year, and it’s a little long in some people’s estimation. Some experts suggest “generations”, rather than an exact number of years, because books that endure past those who were alive when it was first published must have something good going on. It’s an idea.

Of course, either yardstick would exclude books that many booklovers consider to be classics regardless: think To Kill A Mockingbird, or The Grapes of Wrath. That’s why some have suggested the creation of a new category, the “modern classic”, for those books that aren’t quite old enough to be considered classics proper, but are well on their way.



Literary Merit

I think we can all agree that simply being old isn’t enough: what else makes a book a classic? The next most obvious criterion is whether or not it’s any good. An old book can hang around for lots of reasons, but in order for us to consider it a “classic” it should probably pass some test of merit. I’m sure you can see why this is problematic, though; gauging the quality of a book is deeply subjective (just ask anyone who’s been to a book club!).

A comprehensive discussion on how to determine literary merit is probably a bit beyond me and my scope here on my lil’ blog. What I will say is that I think it’s important to recognise that “good” doesn’t necessarily mean “readable”. For instance, I can acknowledge that The Life And Opinions of Tristram Shandy, Gentleman has a lot of literary merit, while also simultaneously believing that it sucked from a contemporary reader’s standpoint. A book’s literary merit and whether it is fun to read are two completely separate matters. And, failing a final ruling from an all-powerful dictator, it’s probably going to be up to each of us to decide for ourselves what constitutes “literary merit” and whether a book has it or not (for the time being).

Cultural Contribution, Significance, and Popularity

Books don’t exist in a vacuum: they affect the world around them, and in turn take on new meanings when the world around them changes. Take, for instance, George Orwell’s Nineteen Eighty Four. His themes and imagery of surveillance, censorship, misinformation and government control are constantly evoked in political debates, and his work has taken on scary new resonance over the last few years. There are others, too, like Catch-22 or Strange Case of Dr Jekyll and Mr Hyde, that are so pervasive they actually become part of our cultural lexicon. We continue to read and reflect on these books because they’ve made such significant contributions to our world; they’ve become, in effect, household names.

Within literature itself, the significance and popularity of a book is often marked by its influence on other, subsequent works. Sometimes this as obvious as a direct adaptation (look at how many contemporary takes we have on Pride And Prejudice, for example, and Little Women). Often, though, it’s much more subtle, with recent works calling upon or emulating styles and themes of classic books. I think it’s only fair that we consider these kinds of literary and cultural contributions when deciding what makes a book a classic, as they make it possible for a book to a book to retain its popularity over time.



Historical Record and Influence

One of the most wonderful things about the written word is the way that it endures, and what it can tell us about the past. Even though, as we’ve acknowledged, perspectives on the past have all to often come from privileged white men with their own inherent biases, they still managed to record details that might have otherwise been lost, and we’re better able now than ever before to think critically about them as sources of historical record. Consider classic books such as Chaucer’s Canterbury Tales, which has taught us so much about the Middle Ages, or more recently the works of Dickens and the Brontës, which have given us a multi-layered understanding of the mores of Victorian England.

Some classic books take it one step further, and actually influence the course of history. The best example of that has to be Harriet Beecher Stowe’s Uncle Tom’s Cabin, often called The Great American Novel, and credited – by Abraham Lincoln, no less! – with prompting the American civil war and the crusade to end slavery. It’s a high bar, no doubt, but this kind of historical influence is surely at least part of what makes a book a classic.

How Italo Calvino Defined Classic Books

Unsurprisingly, writers have thought a lot about this question (because, really, it concerns them most of all). Italo Calvino, a beautiful Italian author, wrote a whole book on the subject – Why Read The Classics? – and gave us a list of definitions that he felt, considered as a whole, would bring us closer to understanding what makes a book a classic. I’ve reproduced a few of my favourites here:

“A classic is a book which with each rereading offers as much of a sense of discovery as the first reading.”

“A classic is a book which even when we read it for the first time gives the sense of rereading something we have read before.”

“A classic is a book which has never exhausted all it has to say to its readers.”

“Classics are books which, the more we think we know them through hearsay, the more original, unexpected, and innovative we find them when we actually read them.”

“‘Your’ classic is a book to which you cannot remain indifferent, and which helps you define yourself in relation or even in opposition to it.”

Italo Calvino, “Why Read The Classics?”

He concludes that a universal definition of a classic book is basically impossible, and “there is nothing for it but for all of us to invent our own ideal libraries of classics”.





So, what makes a book a classic? I’m with Calvino, it’s ultimately up to each of us to decide for ourselves. That said, I think age, literary merit, cultural contribution, and historical influence are all good factors to consider. I think it’s also important that we do everything we can to ensure that we don’t end up lost in the cock forest (as Benjamin Law once so delightfully put it), and include classic books written by women, people of colour, and other marginalised groups. What do you think makes a book a classic? Tell me in the comments (or share your thoughts over at KUWTP on Facebook!).

Trivia Questions About Books And Literature: Answered!

One of the occupational hazards of being a book reviewer and blogger is that all your friends assume that you are a literary expert, and you’ll be able to handle all the bookish questions at pub trivia. Don’t get me wrong: I normally do pretty well, but I’ll never forget the soul-crushing shame of totally blanking on the question “Who wrote the American classic Gone With The Wind?” (it was Margaret Mitchell, by the way – I’ll never forget again!). To save you all the same embarrassment, I thought I’d put together a list of some common and interesting trivia questions about books and literature, alongside the correct answers (although, as you’ll soon see, “correct” is a relative concept and it almost always depends who you ask…).

Trivia Questions About Books And Literature Answered - Text Overlaid on Image of Pub Wall and Booths - Keeping Up With The Penguins

Firsts

What was the first novel ever written?

The Tale of Genji is, as far as we know, the world’s first full-length novel. It was written in 1008 by Japanese noblewoman Murasaki Shikibu.

What was the first book published by movable type?

Johann Gutenberg, who invented movable type in 1440, printed the first book, a Latin Bible (now called the Gutenberg Bible) in 1445.

What was Stephen King’s first published novel?

Carrie. Although it wasn’t technically the first book he wrote, it was the first one picked up and published (by Doubleday, in 1974).

When was the New York Review Of Books first published?

1 February 1963. The Review, which begot the New York Times Best Seller List, sold out of its first print run (100,000 copies), and its editors received over 1,000 letters from readers asking that they continue.

When was the first Harry Potter book published?

Harry Potter and the Philosopher’s Stone was first published by Bloomsbury in the U.K. on 26 June 1997.

 Biggests and Bests

What is the most expensive book in the world?

This depends who you ask, what measure you use, and how you define… well, “book”.

Most recently, in 2017, the printer’s manuscript of Joseph Smith’s Book of Mormon sold for $35 million. That’s a fair chunk of change, but purists will debate whether a printer’s manuscript counts as a “book”.

Likewise, in 1994, Bill Gates purchased the Codex Leicester, the notebook of Leonardo da Vinci (the original, and the only copy) for $30.8 million, which adjusted to today’s money comes to about $50.9 million – an even bigger chunk of change. But, once again, people will argue that a hand-written notebook doesn’t really count as a “book” by today’s standards.

There are a handful of other religious and hand-written texts that are “books” by some measure and have sold for similar amounts. However, the most widely accepted answer to this trivia question is The Birds Of America by John James Audubon. One of only 119 printed and bound copies known to exist sold at auction in 2010 for $11.5 million (which comes to about $12.9 million now).

What is the best-selling book of all time?

Once again, it depends on how you define “book”, how fastidious you are about the accuracy of calculations, and whether you want to take into account the time period over which the total number of books were sold (as most best-seller lists today do).

Typically, the Holy Bible is considered to be the best-selling book of all time, with an estimated 2.5 billion copies sold since 1815 (and 2,200 language and dialect translations to boot). However, as I’m sure you can imagine, the records of sales over that length of time are patchy at best, many copies of the Bible are distributed for free (as opposed to “sold” in the traditional sense), and as such the estimation of total sales is very rough.

The Lord Of The Rings is the next most common answer, though some people dispute its inclusion for consideration as it is a series (rather than an individual “book”). It’s estimated to have sold approximately 150 million copies since it was first published in 1954, and those figures are comparatively very accurate. The Hobbit, too, has sold some 100 million copies in its own right.

The biggest total sales figure I could find for an individual, stand-alone book (that no one could dispute), with the most accurate numbers possible, is that of Le Petit Prince (The Little Prince), first published in French in 1943. It has sold 140 million copies since then. However, the most recognisable answer (and the one your quizmaster would likely be looking for at pub trivia) is Harry Potter And The Philosopher’s Stone, which has sold 120 million copies since 1997 (meaning it has sold far better over a much shorter period of time, which is usually a factor in the calculation of best-sellers).

Who is the best-selling fiction author of all time?

Are you sick of me saying “it depends” yet? 😉

The most commonly accepted answer is Agatha Christie; she personally authored 85 novels, and has sold well over 2 billion of them (and those figures are relatively reliable). However, William Shakespeare is estimated to have sold approximately the same number of copies across his 42 published plays and poems, though the figures are a little more sketchy and over a much longer time period – it’s up to you whether he “counts”.

J.K. Rowling is the worlds richest author (having claimed the title from James Patterson a few years ago), so she’s considered the “best selling” in terms of profit from her creation.

There are also a number of extremely popular authors (including Jane Austen, Miguel de Cervantes, and Arthur Conan Doyle) for whom no accurate figures on book sales can be found, so theoretically it could also be any of them.

In the end, this question is pretty much unanswerable, so you’ll just have to take a stab as to which answer you think the quizmaster is after, as opposed to which one is technically “correct”.

What is the best-selling children’s book of all time?

Ah, now we’re back on solid ground! Publisher’s Weekly ran a very helpful study of this topic back in 2000, and they determined that the best-selling hard-cover children’s book of all time is The Poky Little Puppy, and the best-selling paperback children’s book of all time is Charlotte’s Web.

Now, we could start to quibble about what counts as a “children’s book” and how PW reached their conclusions, but why make things harder on ourselves?

What is the biggest/longest book of all time?

There are two primary ways to determine the size or length of a book: word count, and page count. The latter is a bit controversial, because it’s so dependent on formatting, but it’s also a lot easier to calculate.

The winner on both fronts, technically, is Artamène ou le Grand Cyrus, published in the 17th century. It comes in at a whopping 13,095 pages (published over ten volumes, because obviously), or 1,954,300 words.

However, the “official” Guinness World Record holder (and thus the most commonly accepted answer) is À la recherche du temps perdu (In Search of Lost Time, or Remembrance of Things Past) by Marcel Proust. It boasts 3,031 pages over seven volumes, or 1,267,069 words.

Whichever answer you prefer, it’s clear that the French are the wordiest writers!

Literary Awards

What year were the first Pulitzer Prizes awarded?

1917. The awards were established by provisions in the will of Joseph Pulitzer, a Hungarian-born American newspaper publisher, thus their focus on journalism.

Which British prime minister was awarded the Nobel Prize for Literature?

Winston Churchill. He got the gong in 1953 “for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values”.

Which American science-fiction and fantasy writer has won the Hugo Award for best science-fiction novel three years running (2016, 2017, 2018)?

N.K. Jemisin. She won for The Fifth Season, The Obelisk Gate, and The Stone Sky, respectively in each year.

When did the Booker Prize change its name to the Man Booker Prize, and why?

This award was called the Booker Prize from 1969 to 2001. In 2002, the Man Group PLC came on board as a sponsor, and that year the name was changed accordingly. But earlier this year, the Man Group announced they would no longer be providing sponsorship; a charitable foundation called Crankstart has taken the reins now, but the name will revert to simply the Booker Prize (which I think is a shame, because the Crankstart-Booker has a nice ring to it, don’t you think?).

Bonus points: Yann Martel was the first winner of the newly re-named Man Booker Prize in 2002, for his book Life Of Pi.

What is the main criterion for the Miles Franklin Award?

The Miles Franklin Award winner each year must be “a novel which is of the highest literary merit and presents Australian life in any of its phases”.

Titles And Text

Opening lines make for really popular trivia questions, because they’re easy to write and score. Check out my list of great opening lines in literature here, and my list of even more great opening lines in literature here.

Where does the book Fahrenheit 451 get its name?

The book’s tagline explains its title: “Fahrenheit 451 – the temperature at which book paper catches fire, and burns”.

Bonus points: Bradbury chose the title after asking an expert regarding the temperature at which book paper will burn, but he may have been slightly misinformed. 451 degrees Fahrenheit is actually the auto-ignition point of paper, the temperature at which it will catch fire without being exposed to an external flame, and even that number varies depending on the experimental conditions under which it is tested.

Fill in the blanks of this Shakespeare quote: “All the world’s a stage, And all the ___ and _____ merely _______.”

“All the world’s a stage, And all the men and women merely players.”

Bonus points: The line is taken from As You Like It (Act II, Scene VII).

True or false: Arthur Conan Doyle’s Sherlock Holmes never actually used the now-famous line “Elementary, my dear Watson”.

True. Holmes would, now and then, refer to things as being “elementary”, and he did also call his sidekick “my dear Watson”, but he never once used the two together. He did, however, say “Exactly, my dear fellow” relatively often.

What title did Jane Austen originally give to the book that was eventually published as Pride and Prejudice?

First Impressions.

Which American classic was published in Swedish with the translated title “A Man Without Scruples” (“En Man Utan Skrupler”)?

F. Scott Fitzgerald’s The Great Gatsby.

Bonus points: Fitzgerald actually considered multiple alternate titles for his most-famous work, his favourite reportedly being “Under The Red, White, and Blue” (which his wife, Zelda, hated).

Characters

What names did Charles Dickens consider for his character in A Christmas Carol before settling on “Tiny Tim”?

“Small Sam” and “Puny Pete” – they both sound ridiculous, but I swear I’m not making it up!

Which fictional book character has featured as a major character in more films than any other?

Sherlock Holmes – the fictional detective has featured in 223 movies.

Bonus points: second place goes to Dracula, who has featured in 217.

What is the shared birthday of Bilbo and Frodo Baggins from The Hobbit and Lord Of The Rings?

22 September. The two central characters were  born on the same day, but in different years: Bilbo in the year of 2890, and Frodo in the year 2968, of the Third Age.

In Mark Twain’s The Adventures of Huckleberry Finn, to which superstition does Huck attribute most of his bad luck?

Touching a rattlesnake skin. He was warned not to do so by his travelling companion, Jim the runaway slave, but disregarded his advice.

Daniel Cleaver and Mark Darcy formed a love triangle with the titular character of which 1996 British best-seller?

Bridget Jones of Bridget Jones’s Diary, by Helen Fielding.

Bonus points: the book is actually a loose adaptation of Jane Austen’s Pride and Prejudice, with Daniel Cleaver bearing some resemblance to Mr Wickham, Mark Darcy to Mr Darcy (duh), and Bridget Jones to Elizabeth Bennet.

Plots

Which classic book chronicles the history of the French invasion of Russia through the stories of five aristocratic families?

War and Peace (Leo Tolstoy).

Which book is set in Airstrip One, a province of the superstate Oceania in a world of perpetual war and government surveillance?

1984 (George Orwell).

Bonus points: Airstrip One is the new name given to Britain in Orwell’s dystopia.

In The Lion, The Witch, and The Wardrobe, what was the enchanted dessert that the White Witch gave to Edmund?

Turkish Delight.

Early in Alice’s Adventures in Wonderland, Alice shrinks down to a very small size and then has to swim through a river of what?

Her own tears.

What is the name of the virtual utopia that teenager Wade Watts explores in Ernest Cline’s novel futuristic novel, Ready Player One?

OASIS.

Authors

Jim Grant was born in England in 1954, and has published many popular crime thrillers. By which pen name is he better known?

Lee Child.

Which author, best known for his books for children, is credited with popularising the words “gremlin” and “scrumdiddlyumptious”?

Roald Dahl.

Name the four Jane Austen novels that were published during her lifetime.

Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1815).

Bonus points: Northanger Abbey, Persuasion and Lady Susan were all published posthumously. The Watsons and Sandition were unfinished manuscripts.

By which names are Currer, Ellis, and Acton Bell now better known?

Charlotte, Emily, and Anne Brontë. They chose androgynous pen names because they suspected (quite rightly, as it turns out) that books by women would not be given fair treatment by publishers and the public.

Who Am I? I was born in Australia in 1966. I worked in advertising and marketing at a legal publishing company, and published my first book in 2003. My fifth book, The Husband’s Secret, was published in 2013 and garnered worldwide attention. My next book debuted at #1 on the New York Times Best Seller List, making me the first Australian author to do so. It has since been adapted into a television series by HBO, starring Reese Witherspoon and Nicole Kidman.

Liane Moriarty.


Of course, there are thousands of potential questions in each of these categories: bookish trivia is the gift that keeps on giving! What’s your favourite book trivia question? Ask us in the comments (or over at KUWTP on Facebook!).

My Bookish Timeline


Have you ever mocked up your bookish timeline? Probably not (I might be the only person nerdy enough to actually think about shit like this). Take a look over your shelves, then: are you mostly in the 18th century? Or do you like to hang out in the years of your youth? It might sound like a really boring exercise, but hold your judgment: it’s actually really interesting to take a look at your books this way. It tells you a lot about yourself and your reading habits, and it might even give you some additional insights into the books themselves. For instance, I remember The Scarlet Letter reading like a way older book than David Copperfield, and yet it turns out they were published in the very same year. So, I couldn’t help myself, I had to know more! I present to you: the Keeping Up With The Penguins bookish timeline.


A Bookish Timeline - Keeping Up With The Penguins

So, all told, my bookish timeline spans 695 years. Only 30 of the 109 books are from this century, and yet, for some reason, the single year that produced the most books on my reading List was 2013. Random, eh? Most of my Recommended reads are from the 19th century (so far, anyway), so maybe I enjoy the classics more than I thought I would. I’d also assumed that perhaps the reason it feels like I’m reading so many novels about WWII is that the bulk of my reading list came from the years immediately after the conflict, but in reality I’m only reading twenty books from the following four decades, so there goes that theory. But putting together my bookish timeline was a fruitful exercise in many other respects, and I reckon you should all give it a go 😉 Drop your most interesting insights in the comments below (or join the conversation over at KUWTP on Facebook!).

 

7 Books That Are Hard To Find Second Hand (And My Best Tips To Track Them Down!)

Hi, my name is Sheree, and I’m a second-hand book addict. If you’ve been following Keeping Up With The Penguins for a while, you’ll know that I’m a regular fixture in all my local stores, scouring the shelves for books on The List. In fact, I’ve managed to find the majority of them this way (the subject of this week’s review, Fangirl, being the exception). Sometimes, I muse on how easy it would be to simply buy them all brand new with the click of a button… but where’s the fun in that? It’s all about the thrill of the chase! To save you some of my heartache, I thought I’d write a post about the longest and most difficult chases, and give you some tips to make it all a little easier. Here’s 7 books that are hard to find second hand (and my best tips for tracking them down!).

7+ Tips for Finding Rare Books In Thrift Shops - Text Overlaid on Greyscale Image of Woman Browsing in Book Shop - Keeping Up With The Penguins

The Colour of Magic – Terry Pratchett

The Colour Of Magic - Terry Pratchett - Book Laid on Wooden Table - Keeping Up With The Penguins

When my hunt for books on The List first started, I didn’t anticipate Terry Pratchett being a problem. After all, he’s so popular, and so prolific(!), I figured that every secondhand book store would be simply groaning under the weight of his entire collection. Plus, I was sure I’d seen stacks of his books in other stores before, so surely it wouldn’t be that hard. Turns out, I was dead wrong! Maybe I’m just in the wrong (geographical) area, maybe all fantasy books just blur together in my mind, but whatever it is: The Colour of Magic was nowhere to be found! When I did see a small handful of Terry Pratchett’s offerings on the shelves (which wasn’t often at all, by the way), this particular book – the first in his Discworld series – was never among them. I ended up finding it while I was wandering through a neighbouring suburb on a Saturday afternoon. Some long-suffering hippie had set up a trestle table, and he was selling off his personal book collection; he had half a dozen Pratchett books, and I finally hit pay-dirt.

Tip Number 1: Don’t limit your search to stores! Often, the best bargains are to be found at markets and other stall-type set-ups, where people are just selling off their own stuff (thank you, Marie Kondo!). They’re just happy to be rid of it, de-cluttering and all that being good for the soul, and you can score a hard-to-find book at a fraction of what you’d pay in the store (where the seller would know exactly how hard it is to find, and how much it’s worth!).

The Hitchhiker’s Guide To The Galaxy – Douglas Adams

The Hitchhiker's Guide To The Galaxy - Douglas Adams - Book Laid On Wooden Table - Keeping Up With The Penguins

I had one secondhand book store staff member LITERALLY LAUGH IN MY FACE when I asked if they had a copy. If that doesn’t convince you that The Hitchhiker’s Guide To The Galaxy is hard to find second hand, I don’t know what will! The problem is that this beloved classic of the sci-fi genre is a comfort read; people pull it out when they want something familiar and calming, re-reading it dozens of times over, and so they never want to part with it.

Still, joke’s on that giggly store clerk: I grabbed the first copy I found, without even looking at the price (a modest $9, thank goodness!), and it turns out it’s a freaking first edition! It’ll be worth a quid one day, believe you me…

Tip Number 2: Don’t give up, even in the face of overwhelming odds. And before you donate or sell any book of your own, always double check the publication date and whether there’s any significance to that edition. Make sure you’re armed with information, and you know its worth before you pass it on!

Clarissa – Samuel Richardson

Now, it wasn’t necessarily a surprise that Clarissa was tough to find second hand: not only is it one of the lesser-known classics (compared to something like Wuthering Heights or David Copperfield), but it’s also fucking loooooooong! It runs to over 1,500 pages, meaning that it’s not that popular with contemporary readers. And when people aren’t buying it new, your chances of finding it second hand decrease dramatically (duh). So, I was keeping my eyes peeled for a big-ass book… Imagine my surprise when I found a modestly-sized abridged version at a closing-down sale, running to just 500 pages! Now, I’m not saying I’d turn down a copy of the full text if I came across one, but in the meantime I’m happy to consider it checked off my to-buy list.

Tip Number 3: Don’t get tunnel vision! I find having a to-buy list really enhances my second-hand book buying experience, and it stops me from feeling overwhelmed. Without it, I’d probably want to take home every single book I see, and end up with a hundred copies of everything. But if I stayed hell-bent on only buying “pretty” editions, or full texts, or print-runs from Penguin, or whatever, I’d have missed out on some great deals and books I’ve come to love very much. So, a list is a good idea, but don’t let it hem you in!

Lolly Willowes – Sylvia Townsend

I’ve searched for Lolly Willowes one long and hard, and it’s even tougher than most of the others on this list, for a couple of reasons. Firstly, I’ve got to check for two different titles (it’s usually called “Lolly Willowes”, but some editions go under “The Loving Huntsman”). And, if that’s not enough, I’ve also got to check under two different author names (she’s alternately called Sylvia Townsend, and Sylvia Townsend Warner). Luckily, T and W are pretty close together in the alphabet, so I normally don’t have to search too far if the shelves are arranged alphabetically…

Tip Number 4: If there’s something in particular you’re searching for, make sure you know everything there is to know about it. Does it have an alternative title? Did the author use a nom de plume at first, or switch to a married name, or choose a new name after coming out? You’ll kick yourself forever if you figure out that you could’ve found a copy, if only you’d known where to look!

The Sun Also Rises – Ernest Hemingway

The Sun Also Rises - Ernest Hemingway - Keeping Up With The Penguins

Speaking of alternate titles: The Sun Also Rises was also sometimes printed with the title “Fiesta”. There’s a fun fact for you! But even knowing that, I still had a really tough time finding it, and I couldn’t understand why. I mean, I saw A Farewell To Arms, and The Old Man and The Sea, in almost every store I entered – but never the Hemingway I actually wanted. I was bitching about this situation (indeed, rather loudly) in my favourite second-hand book store one day, when a lovely young woman gently tapped me on the shoulder, and held out to me the copy she’d just pulled off the shelf.

Of course, this all happened on the very day when I had no cash on me and I’d left my card at home. But I wasn’t completely out of luck: I was in the company of a very dear friend (when I’m with friends, “let’s go for a wander!” is almost always code for “let’s go find a bookstore to browse!”), and he was kind enough to buy it for me. Not all heroes wear capes!

Tip Number 5: If you’re going to forget your wallet, make sure your friend brings his! And make sure you name them as a sponsor of your book blog and show them lots of love and gratitude 😉 Ha! On a more serious note, don’t be afraid to ask the store assistants if you’re looking for something in particular. Sure, now and then, you’ll encounter one that will laugh in your face (ahem!), but for the most part they are incredibly kind and helpful. And the patrons are too, come to that (the young lady who helped me was not an aberration – I’ve helped out fellow patrons a time or two myself!). Sometimes, the store will have a “wait” list of sorts, and the staff will add your name and call you if the book comes in. They’re so grateful for your custom, they’ll go above and beyond to make sure you keep coming back!

The Prime of Miss Jean Brodie – Muriel Spark

The Prime of Miss Jean Brodie - Muriel Spark - Book Laid on Wooden Table - Keeping Up With The Penguins

I must admit, I actually have no idea why this one was so difficult to find. It was one of my top priorities in my search, having heard that it was excellent, and I dutifully checked every single store I passed in my travels. I came across dozens of regular bookstores that stocked brand-new copies of the tri-band Penguin edition, but I never came across it second-hand. It wasn’t too long to be popular, like Clarissa, or genre-defining, like The Hitchhiker’s Guide To The Galaxy, it was just… hard to find! Luckily, I eventually found a copy at a market stall, buried among stacks of Vintage classics and coffee-table books.

Tip Number 6: Keep your eyes peeled, at all times, always! Even when you’re browsing the markets for a gift, or looking for a bathroom in Tel Aviv, or even just hanging out at a mate’s place – I’ve had more than one generous friend offer to permanently lend me a book from their collection, for the purposes of this blog. You just never know where you’ll find gold!

The Bell Jar – Sylvia Plath

The Bell Jar - Sylvia Plath - Book Laid on Wooden Table - Keeping Up With The Penguins

I have it on very good authority (i.e., several booksellers and #bookstagrammers have told me) that no one ever, ever, ever wants to part with their copy of The Bell Jar. And I can see why! Having read it for the first time recently (my review here), I can already tell that it’s a book I’ll read over and over again, and you’ll have to pry my gorgeous Faber edition from my cold dead hands. Seriously, it’s beautiful! It’s matte black embossed with shiny gold, and it has the most beautiful inscription from a friend of mine. (Yeah, funny story: she knew I’d been searching long and hard for a copy, and she was looking for a last-minute gift for me, so she stopped in the secondhand book store closest to my house and said “I know you probably don’t have it, because my friend is in here looking for it all the time, but is there any chance you’ve got a copy of The Bell Jar?”. Sure enough, they’d had one come in that very day. Sometimes, life just works out!)

Tip Number 7: Make sure your friends and family know what it is you’re after. That’s not to say you should expect them to buy everything they see for you, of course, but they can give you a heads up when they spot a hard-to-find book in their local second-hand store. And they’ll know exactly what to get you for Christmas!

Bonus tip: Never bother buying any Charles Dickens, or D.H. Lawrence, or Grahame Greene brand new. Every single second-hand store I have ever entered has STACKS of them, and at least a few of those are unread, as-new copies. The same also goes for the Fifty Shades of Grey series, and the Harry Potter books. Plus, if you’re not precious about movie tie-in editions (I’m not, but some booklovers are), you’ll find STACKS of them in secondhand stores, too. If you’re after a book that has been turned into a film in the last 2-3 years, you’re almost guaranteed to find it (and probably in pristine condition, too!).

Bonus bonus tip: Young Adult is a mixed bag, on the whole. Some of them (like Fangirl, and If I Stay) are tough to find right now. In general, you’ve got the best hope of finding the specific YA read you’re after in a secondhand store that has a dedicated YA section (if they’re lumped in with general fiction, you’re going to have a hard time – not sure why that is, it just is, I don’t make the rules). And you usually have to wait about 5-10 years after the initial release, once the target market has outgrown them and moved out of home (either they’ll sell them off, or their parents will, either way…).


Do you buy your books second hand? Why/why not? Tell me in the comments (or over at KUWTP on Facebook)!

The Best Books I’ve Read… So Far!

Ohhhh, we’re half-way there! (And if you’re half the eighties rock fan I am, you sang that line in your head.) I am officially halfway through my reading list: 55 books down, 54 books to go. It seems incredible to me that what started as a half-hearted joke with my husband about how much literature I was missing out on has become this huge project, and I’ve managed to make it halfway through (relatively) unscathed. What’s a girl to do but write a celebratory list post of the highlights? Here are the best books I’ve read so far, at this point, halfway to my ultimate goal of Keeping Up With The Penguins.

The Best Books I've Read... So Far! - Book Covers in Collage and Text in Black and Red - Keeping Up With The Penguins

The First Book I Loved: David Copperfield (Charles Dickens)

David Copperfield - Charles Dickens - two volume green hardcover set laid on wooden table - Keeping Up With The Penguins

I always knew Charles Dickens was the Grand Poobah of English literature, but I had no idea I was going to discover a book I loved so much, so early in this project. I was only a few books in, and this one bowled me right the fuck over. You can read my full review here, but suffice to say that I devoured David Copperfield like a drunk woman eating a kebab. Every word is purposeful, every character is a delectable caricature, every element of the story is consistent and compelling, and every emotion is beautifully rendered. Critics have hung a lot of shit on Dickens for what they call “supermarket” writing; novels were the primary source of family entertainment back then (the Netflix of Victorian England, really), so Dickens had to weave a bit of everything into his stories to keep the everyone happy. Critics be damned, I think it’s precisely this “just chuck it all in the pot and give it a stir” style that makes David Copperfield such an incredible book. Buy it here.

The Best Non-Fiction Book I’ve Read: In Cold Blood (Truman Capote)

In Cold Blood - Truman Capote - book laid on wooden table - Keeping Up With The Penguins

I realise that, given the creative liberties that Truman Capote took with the story of the Clutter murders, calling In Cold Blood “non-fiction” might be a bit rich… but I stand by it. I’ve read some great pop-science books, of course (Bill Bryson’s A Short History of Everything gets an honourable mention), but In Cold Blood was definitely the most beautiful and readable non-fiction offering from The List. I hate the term “page-turner”, but there’s really no other way to describe it. I was fucking gripped, with white knuckles, the whole way through. Read my full review here, and buy Capote’s magnum opus here.


The Most Underrated Book I’ve Read: We Are All Completely Beside Ourselves (Karen Joy Fowler)

We Are All Completely Beside Ourselves - Karen Joy Fowler - book laid on a wooden table - Keeping Up With The Penguins

I’m still not over my shock that I hadn’t heard of (let alone read) this incredible book before I began Keeping Up With The Penguins. It’s a travesty, I tell you – a criminal oversight of the book-loving community. We Are All Completely Beside Ourselves is also one of the very, very few books that gets an actual spoiler warning in my review, which should be testament enough to the strength of the plot-twist. If you ask me for a book recommendation these days, it’s almost inevitable that We Are All Completely Beside Ourselves will be top of my list; even if you tell me you’ve already read it, I’ll tell you to read it again. Buy it here, if you haven’t already (and read it before you read my review!).

The Best Classic Book I’ve Read: Jane Eyre (Charlotte Brontë)

Jane Eyre - Charlotte Bronte - Keeping Up With The Penguins

Bearing in mind that I usually define a classic as a book that has lasted over a hundred years and maintained a level of popularity and interest, my favourite so far has to have been Jane Eyre. In fact, I clutched this book to my chest and smiled so often I started to look like a woman in a bad infomercial. I know Wuthering Heights gets most of the love and attention, but to me Jane Eyre is clearly superior (and it’s on that basis that I declared Charlotte to be the best Brontë). I’ve crammed my review full of fun facts about Charlotte and this book, and you can learn even more from the introduction to this fantastic Penguin Classics edition.


The Most Fun Book To Read: The Adventures of Sherlock Homes (Arthur Conan Doyle)

The Adventures of Sherlock Holmes - Arthur Conan Doyle - Keeping Up With The Penguins

The Adventures of Sherlock Holmes isn’t typically billed as a “funny” book, but I can’t think of any other way to describe it: it was just really fun to read! Sherlock’s adventures are presented as a series of short stories, and I was blown away by Doyle’s economy of language – how he managed to cram so much into so few words is still beyond me (it takes me longer to describe what happens in one of the cases than it does for Doyle to tell the whole story). It’s good, clean fun, too, which is not usually my kind of thing, but it’s great for anyone looking for a classic that the whole family can enjoy. Read my full review here, and buy the collection here.

The Book That Lived Up To The Hype: To Kill A Mockingbird (Harper Lee)

To Kill A Mockingbird - Harper Lee - Book laid on a wooden table - Keeping Up With The Penguins

I know it’s super-weird that I hadn’t read this one prior to Keeping Up With The Penguins, given that it’s a staple of high-school required reading lists… but somehow I squirmed out of that particular rite of passage. So, I came to it later in life, cynical enough to think there was no way that Harper Lee’s only true novel could live up to the hype. Imagine my surprise when it did! In fact, it exceeded it. To Kill A Mockingbird is a stunning read, no matter when you come to it. It’s not without its issues, of course (which I address, very briefly, in my review), and the release of Go Set A Watchman was controversial at best (and a disgusting violation at worst), but I hate to think that any of that detracts from our appreciation of Lee’s masterful writing. If you haven’t read To Kill A Mockingbird yet, there’s no shame, just get a copy here – right now!


The Most Beautifully Written Book: My Brilliant Friend (Elena Ferrante)

My Brilliant Friend - Elena Ferrante - Book Laid On Wooden Table - Keeping Up With The Penguins

My Brilliant Friend is so wonderful, I was actually nervous about posting my review; I didn’t think there was any way that I could possibly do Elena Ferrante’s beautiful writing justice. It is, quite simply, one of the best books I’ve ever read in my entire life. Of course, credit doesn’t go only to Ferrante – there’s also her translator, Ann Goldstein, who somehow retained the beautiful rolling lyricism of the original Italian without the slightest hint that the work was not originally written in English. Luckily, My Brilliant Friend is just the first in the series of Neapolitan novels, so there’s plenty more Ferrante to sustain you once you’re done – get them all here.

The Biggest Surprise: Crime and Punishment (Fyodor Dostoyevsky)

Crime and Punishment - Fyodor Dostoyevsky - Book Laid On Wooden Table - Keeping Up With The Penguins

Crime and Punishment ended up on The List almost as a joke: my husband suggested it, never believing for a second that I would actually read it. In fact, I didn’t even believe that I would actually read it! I thought this Russian classic was for pretentious losers who name-drop at parties and wear fedoras inside. And then I had to eat my fucking words, because I did read it and I loved it! Raskolnikov is (and I know I probably shouldn’t say this about a literal axe-murderer, but whatever) so damn relatable, a bundle of nerves slowly unravelling in 19th century St Petersburg, and it’s so readable I would have totally believed it was a contemporary historical novel. I said as much in my review. Don’t believe me? Get it and see for yourself.




And there we have it! Of course, many thanks go to all of you who have stuck with me for the last year and a bit; I can’t wait to see what adventures we go on as we cruise through to the finish 😉 And my question for all of you today: what have been YOUR favourites so far in the Keeping Up With The Penguins project? Let me know in the comments (or tell me over at KUWTP on Facebook)!

I’d love to keep on Keeping Up With The Penguins, and find more wonderful recommended reads to bring to you! If you’d like to help, you can donate – any amount you like – through the button below. Thanks a million!



14 Great Bookstagram Accounts You Should Really Be Following

Guess what, Keeper-Upperers? Not only is Keeping Up With The Penguins one year old now, but so is the Keeping Up With The Penguins Instagram! When I started this blog, I’d heard about the #bookstagram phenomenon, but I had no idea what a wonderful, warm, and welcoming community I’d find there. I set up an account, and started posting photos of the books I was reading and reviewing, and it fast became one of my favourite parts of this project. I’m no great shakes at photography, I don’t go All-Out Extra with props and fairylights and all that business, but that’s the beauty of #bookstagram – it’s not about the bells and whistles, it’s about the books! I’ve “met” some truly fantastic people over the last year through the platform, and I thought today I’d share a short list of some of the best bookstagram accounts you really should be following.

14 Great Bookstagrammers You Really Should Be Following - Text Overlaid on Image of Phone with Instagram Logo on Screen - Keeping Up With The Penguins

@alexs.bookgram

Alex describes herself as an “amateur book reviewer” in her bio, but her feed shows she is a definite pro! She’s got gorgeous bookish photos in all kinds of locations, and every time I scroll through I find something new to add to my TBR. You can check out her account here, and her book blog here.

@jane.read.next

I “met” Jane in the early days of sharing on Instagram, and her feed fast became one of my all-time favourites. She’s a fellow Aussie, a veteran of the publishing industry, and there’s a lot of crossover in our tastes! I’ve loved many of the books she recommended. Also, now and then, she’ll share photos of her gorgeous doggos – the easiest way to win me over! Check out her account here, and her book blog here.

@yumyumicecream

Her guardian angel is Jack Kerouac with a recent assist from Lorrie Moore. She would love to put the novels of John Darnielle into the hands of anyone who has ever ached or cried from loneliness. And she’s one of my favourite bookstagrammers! Her feed is filled with gorgeous books, almost always accompanied by a coffee that makes my mouth water or some other delicious treat. Check out her account here.

@bookkissed

Aysha is a literature student, and it shows in her feed: a gorgeous varied collection of books from every genre and period (though I do notice she has a particular affinity for Stephen King and Agatha Christie, they feature often!). She posts beautiful and creative book stacks and snaps of what (and where) she’s reading – always a joy to see! Check out her account here.

@sasha_hawkins

Sasha loves reading all kinds of books, and at the moment she’s focused on the classics. She wants to spread the word that there’s a classic for everyone, and that our options go beyond the white male-dominated literary canon (a girl after my own heart!). She’s a sucker for beautiful books – but aren’t we all? I love her collection. Check out her account here and follow her on Goodreads here.

@reading.the.classics

Helena is one impressive lady! She’s a homeschool mum of six (count ’em! including a newborn!), living in Northern Ireland, reading stacks of books, doing the #ElizabethGaskell2019 challenge, and still she finds time to share gorgeous photos of the classics (mostly) on Instagram. I drool over her collection, it’s absolutely stunning. Check out her account here.

@rooreads

Stephanie Berg is a Chicago-based bookstagrammer with a feed that slays! I’ve discovered lots of new literary fiction and gorgeous editions (seriously spectacular cover art, where does she find them?!) through her account. She’s currently a @pageonebooks ambassador, and you can find her account here, and follow her on Goodreads here.

@classicsandcaffeine

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My #bestnine of 2018 is dominated by Orwell, Conrad, and Hardy. And i’m happy to say i’m far from done reading these incredible authors. Their writings have had great impacts on me. George Orwell reminded me that my political rights is important and how i use them can very much affect my personal life, and that i must never let my fear overrule compassion and justice. Thomas Hardy has fascinated me ever since i first read Tess at least 10 years ago. I think Hardy understood women and his writing was subtly (or maybe not so subtly?) critical of patriarchy. And Joseph Conrad. Oh Conrad, easily my new favourite author. Heart of Darkness is a tale that will never finish what it’s saying. ☕️ I don’t have any specific target/goal for my reading life for the new year, but i’d love to hear yours. Do share what you’re up to reading wise for 2019. #bestninebookstagram #georgeorwell #1984 #thomashardy #thewoodlanders #josephconrad #heartofdarkness #edithwharton #theageofinnocence #charlesdickens #olivertwist #classicliterature #literature #penguinenglishlibrary #oxfordworldsclassics #wordsworthclassics #bookstagram #bookstagrammer #bookstagramindonesia #bookreview #igreads #readersofinstagram

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I’ll bet you can tell from her handle – classics AND caffeine! – that Ester is truly awesome. She’s based in Indonesia, and she shares a lot of classics and modern classics worth reading. She’s on a little hiatus at the moment, hopefully she’ll be back soon to share more bookish goodness with us! You can still check out her account here.

@book_trails

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"Odors have a power of persuasion stronger than that of words, appearances, emotions, or will. The persuasive power of an odor cannot be fended off, it enters into us like breath into our lungs, it fills us up, imbues us totally. There is no remedy for it." . . An overwhelming and intriguing story. I like how original the concept of this story and let's be honest the cover is really gorgeous it's one of my favorite book cover ever! So this novel is about Grenouille who is an orphan, he's obsessed with perfumes and it's ability to control people. His obsession led to murder as he experiment with different scents. I won't elaborate more cuz I know some of you haven't read this novel and I don't want to spoil the story. . . QOTD: Do you read books by german or any foreign authors? I love reading books by different foreign authors, I have some of French, Japanese, Korean, Taiwanese, German and Arab authors. If you want to recommend me some of your favorite foreign author then please do!😍

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Fattyma loves books and photography, so bookstagram is her true home! And we are so lucky to have her, my eyeballs turn into hearts whenever I look at her posts. She reads all kinds of books – classics, best sellers, fantasy, mystery, young adult, and more – and her photos are incredible. Check out her account here and follow her on Goodreads here.

@spinesvines

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#MeetTheBookstagrammer⁣ 10 Things About Me⁣ ⁣ Well let me begin by stating the obvious— I love books (spines) & wine (vines). This is doesn’t count towards the ten because it’s a well known fact. ⁣😊 ⁣ ✨ I’m usually reading three books at once in three different ways — an audiobook for my commute, a book on my kindle which I keep in my bag and a physical book on my nightstand. ⁣ ⁣ ✨ I created the #diversespines hashtag to shine the light on women authors of color. ⁣ ⁣ ✨ I’m the co-founder/co-moderator of @litonhst bookclub⁣ ⁣ ✨ I’m a major foodie! I love to eat 😋⁣ ⁣ ✨ I love to travel (no cruises for me🙅🏽‍♀️) especially outside of the U.S. Some of my favorite places are France, England, Italy, Greece, Jamaica and Turks & Caicos. ⁣ ⁣ ✨ When I’m not reading, I’m watching NCIS, Chicago P.D., Blue Bloods & re-runs of Law & Order Criminal Intent. I love a good crime drama. ⁣ ⁣ ✨ I grew up a proud military brat living in many places but the highlights were Japan and Hawaii. I actually spent my freshman and sophomore years of high school in Hawaii. ⁣ ⁣ ✨ I’m a proud graduate of The University of Tennessee, Knoxville ⁣#VFL ⁣ ✨ IRL I’m a project manager for the federal government and one my greatest accomplishments was being the Chief of Staff to the 2016 Federal Transition Coordinator. What does that mean— we oversee and provide support for presidential elections and facilitate the peaceful transition of authority between the incoming and outgoing administrations. ⁣ ⁣ ✨ Last but not least, I’m a MOM! I have two young adults, a 24 year old daughter & a 22 year old son. ⁣ .⁣ .⁣ 📸 credit: @msbszenlife .⁣ .⁣ 📚🍷⁣ #spinesvines #books #wine #bookstagrammer #diversebooks #blogger #booklover #bibliophile #ilovebooks #ilovewine

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I must admit, I’m a little bit a lot in awe of Jamise. She’s taken her passion for books (spines) and wine (vines), and turned it into not only this beautiful bookstagram account, but also @diversespines – a book club initiative that highlights women writers of colour and encourages us all to read more diversely. She’s doing incredible work, and I love it! Check out her account here, and more of her stuff here.

@the.imperfect.library

Ally is another fantastic Aussie bookstagrammer, and I love seeing what she’s reading (in hard copy and in audio) in her bio. She’s focused on the classics, women’s literature, and mental health – a trifecta of awesomeness in her feed! She also has a very adorable new kitty… Check out her account here.

@bookish.behavior

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Happy #ReadABookDay everyone! Thought I’d start this post with the quote below. . . “Reading makes immigrants of us all. It takes us away from home, but more important, it finds homes for us everywhere.” — Jean Rhys . Whether you’re reading a book about someone in a different part of your own state, your own country, or another country altogether, reading has a capacity to showcase how something that looks different, might not be all that different after all. . Part of what’s driven my diverse reading these past few years, is how often I find myself either relating to the story or gaining an understanding I didn’t know I needed. The world becomes smaller. The capacity for understanding increases. . Pictured are a few books that span an experience different from mine, but ones that I can’t wait to read! (Minus Erotic Stories – which I’ve already read and is AMAZE – and everyone should read!) . . 🌎 Next Year In Havana – a love story set within the political unrest in Cuba 🌍 Americanah – 2 Nigerians making their way in the US/UK after leaving military-ruled Nigeria 🌏 An Unrestored Woman – short stories about the establishment of the India/Pakistan borders and the ensuing refugee crisis 🌎 Educated – memoir of a girl who was kept out of school by her survivalist family and goes on to earn a PhD 🌏 Pachinko – a sweeping tale of an exiled Korean family fighting to make their way in Japan . Have you read any of these? What are some books that have stuck with you long after you read it? Let’s chat!

A post shared by Poonam (@bookish.behavior) on

If I’m ever worried that I’m missing out on some amazing diverse reads, I head straight for Poonam’s feed, because it is chockers with amazing recommendations and gorgeous photos! The reviews in her captions always give amazing insights into what’s worth reading and why, she is a must-follow for every booklover. Check out her account here.

@happinessisreading

What is it about the combination of books and coffee that makes for such great bookstagram feeds? Ritika is another caffeinated booklover, and she shares her incredible collection of literary fiction, non-fiction, modern classics, and more. I’ve spotted so many of my favourites in her gorgeous photographs. Check out her account here.

@vincereview

I actually came to Paula’s bookstagram through her blog, where she posts amazing and insightful reviews of books old and new, but whichever way you find her, you’re going to want to mash that follow button! She’s a former author and English student, and (like me!) she’s seeking to read classics, best sellers, and other books to discover for herself what they’re like, instead of relying on the opinions of self-professed experts. Her reviews are no-frills straight-talkin’ brilliance, and her enthusiasm is definitely contagious! Check out her account here, and her blog here.

So, if this incredible assortment of readers doesn’t convince you to check out #bookstagram, I don’t know what will! You can, of course, find little ol’ me here too. Are you a bookstagrammer? Drop your handle in the comments so we can all see your stuff (or share it over at KUWTP on Facebook!).

More Of The Best Opening Lines In Literature

This time last year, Keeping Up With The Penguins launched with a best-of list: the best opening lines in literature. It was an auspicious start, and it seems so long ago now! So, to celebrate KUWTP’s first anniversary, I’m going back to the beginning and bringing you another list: more of the best opening lines in literature.

More of The Best Opening Lines In Literature - Text Overlaid on Image of Book Open In Front of Beach Horizon - Keeping Up With The Penguins

1. One Hundred Years of Solitude – Gabriel García Márquez

“Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.”

Innumerable questions are raised by this opening line: why is the Colonel facing the firing squad? What does he mean by “discovering ice”? Why is that the memory that comes to mind, given his circumstances? The only way to find out is to read One Hundred Years Of Solitude (damn clever).

2. The Catcher In The Rye – J.D. Salinger

“If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.”

This is the perfect introduction to The Catcher In The Rye’s whiney teenage protagonist Holden Caulfield, and his stream-of-consciousness style. You can read my full review of Salinger’s magnum opus here (and my review of David Copperfield here, too, come to that).

3. If On A Winter’s Night A Traveler – Italo Calvino

“You are about to begin reading Italo Calvino’s new novel, If on a winter’s night a traveler.”

Nope, I didn’t pull up the first line of the foreword by accident: that’s how If On A Winter’s Night A Traveler starts. This opening line is a baptism by fire into the truly odd and brilliant perspective of Calvino’s novel.

4. The Outsider – Albert Camus

“Mother died today.”

BAM. Cop that! It’s a straight-shooting opener, one of the best. Think of all the different ways Camus (or, more accurately, Camus’s translator) could have phrased it: “My mother died today”, or “Mummy died today”, or “Mother passed away today”. In fact, there’s a lot of debate about the choice of these particular words in the translation of The Outsider (you can get the full story from The New Yorker here).


5. Their Eyes Were Watching God – Zora Neale Hurston

“Ships at a distance have every man’s wish on board.”

It’s a beautiful metaphor, one that reads more like an idiom than an opening line, and one that stands strong with no context at all… but be that as it may, it’s well worth reading the rest of Their Eyes Were Watching God, there’s plenty more brilliance to be found in those pages.

6. Alphabetical Africa – Walter Abish

“Ages ago, Alex, Allen and Alva arrived at Antibes, and Alva allowing all, allowing anyone, against Alex’s admonition, against Allen’s angry assertion: another African amusement… anyhow, as all argued, an awesome African army assembled and arduously advanced against an African anthill, assiduously annihilating ant after ant, and afterward, Alex astonishingly accuses Albert as also accepting Africa’s antipodal ant annexation.”

This one is just so damn clever, it makes me angry. And Walter Abish keeps it up the whole time: each chapter of Alphabetical Africa contains only words beginning with a subsequent letter of the alphabet (first chapter is A, second chapter is B, third chapter is C, and so on). If that doesn’t pique your curiosity, I don’t know what will.

7. The Luck Of The Bodkins – P.G, Wodehouse

“Into the face of the young man who sat on the terrace of the Hotel Magnifique at Cannes there had crept a look of furtive shame, the shifty, hangdog look which announces that an Englishman is about to talk French.”

Well, it’s hilarious, and that alone justifies the inclusion of The Luck Of The Bodkins‘ opening line in this list. But I also love the way it covers everything – setting, character, conflict – and, without actually describing any specific features of the face, Wodehouse manages to conjure in the mind of the reader the exact expression to which he is referring. That, people, is fucking mastery.

8. The Metamorphosis – Franz Kafka

“As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a monstrous vermin.”

Kafka is the king of starting a story in the middle, as all the writing experts say you should, and the opening line of The Metamorphosis is probably his finest example of that.


9. My Brilliant Friend – Elena Ferrante

“This morning Rino telephoned. I thought he wanted money again and I was ready to say no. But that was not the reason for the phone call: his mother was gone.”

OK, I’m probably biased (but it’s my blog and I’ll be biased if I want to), because I loved Elena Ferrante’s My Brilliant Friend so damn much… But come on! This line hooks you, right from the get go, and I think it’s mostly that final word: “gone”. Gone how?? Rino’s mother isn’t “dead”, she isn’t “missing”, she hasn’t “lost her mind” – she’s gone, and I found that so fascinating I had to devour the book as quickly as possible to piece together what happened. (You can read the rest of my love letter to My Brilliant Friend here, and reviews of the rest of the Neapolitan novels are coming soon!).

10. Opium – Colin Falconer

“Noelle thought she would have noticed him even if he hadn’t driven his Packard through the front bar of the Hotel Constellation.”

This is another opening line I love for its dry humour. It takes such a hard-left turn mid-way through the sentence, I can’t help but chuckle every time! And you can find much more of this comic timing throughout the rest of Colin Falconer’s Opium.

11. Charlotte’s Web – E.B. White

“‘Where’s Papa going with that axe?’ said Fern to her mother as they were setting the table for breakfast.”

I had to include at least one childhood favourite, didn’t I? Fern’s question at the very beginning of Charlotte’s Web betrays such innocence, and in so doing effectively sets the stage for the rest of the novel.


Reading my way through The List this past year, I’ve learned a lot about opening lines, why they work, and why they don’t. For instance, I’m increasingly bored by opening lines that describe the weather (the only exceptions being 1984, and perhaps Jane Eyre). And it’s not just me: Elmore Leonard listed “never open a book with the weather” as his first piece of advice to writers. Most of the best opening lines in literature, I’ve noticed, rather than just “setting the scene” in a geographical sense, find clever ways to position both the reader and the narrator, using very few words. By the end of that very first sentence, you know exactly who you are, and who the narrator is, and the relationship between you. I particularly like it when the impact of the opening line doesn’t hit you until later, perhaps not until you’ve finished the book and meditated on it a little.

What do you think? What makes for a good opening line? Tell me in the comments (or over at KUWTP on Facebook!).

How To Read More Classic Books

Have you ever found yourself zoning out, nodding along blankly, as the person you’re with chats away about their favourite classic book? Maybe you read it once in high school and hated it (don’t worry, enforced reading isn’t fun for anyone, no judgement). Maybe you’ve heard of it and figure you know enough to pretend you’ve read it, even though you really haven’t. But, seeing as you’ve ended up here, I’m guessing you’ve decided now is the time to get caught up and make your way through some of literature’s greatest hits. That makes me your new best friend, because I’ve put together another amazing Keeping Up With The Penguins guide: how to read more classic books.

How To Read More Classic Books - Words Overlaid on Collage of Penguin Classics Book Covers - Keeping Up With The Penguins

“What counts as a classic book, anyway?”

Say it with me, now: it depends who you ask.

Personally, I tend to consider the classics to be books that have endured over a hundred years with continued and ongoing resonance. That’s how I categorise them here on KUWTP. Italo Calvino once famously said that “a classic is a book that has never finished saying what it has to say”, and I think that’s spot-fucking-on. While I’m not alone in that opinion, a lot of people aren’t as hard-arse on the timeline, and consider books published much more recently to be “classics”, too. So, really, there are about as many answers to this question as there are readers of classic literature.

When we’re deciding which books “count” as classics, we can look at which books were “firsts” (to cross genre boundaries, for instance, or create a new tradition), or the books we used as yardsticks (the way, for example, we compare almost all vampire fiction to Dracula). We could take into consideration books that have taken readers by surprise and prompted social movements, or triggered significant change through controversial commentary. We’d be foolish to limit ourselves too strictly by time period, because, as I said, a “classic” book could be over 1,000 years old or released in the last decade depending whom you ask. It’s pretty reasonable to want or expect a classic book to stand the test of time, but it’s up to you how much time testing it really has to stand before it’s accepted behind the velvet rope.

Don’t forget that different genres also have different criteria for what constitutes a “classic”. Looking over a list of, say, sci-fi classics, you’ll see that they usually don’t have much in common with classic poetry, or the pre-war American canon. Heck, there are people who consider 50 Shades of Grey to be a classic of the romance genre, but you’d be hard pressed to find a literary fiction reader who’d use that book title and “classic” in the same sentence.

“Does a book have to be “good” to be a classic?”

You’d think the answer to that is obvious, but the problem is that what constitutes a “good” book is extremely subjective. Once again, it’s different for everyone. I think it’s generally fair to expect that books meet certain standards of “goodness” to be considered classic – they’re widely read and enjoyed, well-crafted, insightful, and interesting – but beyond that, there’s a wasteland of opinions and conjecture.

Now, let’s get something straight: you are under no obligation to read the classics, whether they’re “good” or not. You don’t have to agree with anyone else on what the “classics” are. You don’t have to read them in order to be a “real” or “serious” reader. So, if you’d rather poke your eye out with a rusty fork than pick up a classic book, you can quit right here. No one is holding you hostage, even if it feels like there’s a lot of pressure from classic-lovin’ bookworms, and there are plenty of contemporary and non-classic-y books out there that can’t wait to meet you. My advice from here on is strictly for those who are interested in reading the classics and expanding their world through the literary canon they haven’t yet explored – I’m not in the business of imposing literary elitism on anyone. 😉

Classic Books and Where to Find Them

I’ve lost count of how many times in the How To Read More series I’ve suggested checking out your local library, but I’m going to do it again here and now: check out your local library. Any library worth its salt will have a decent selection of classics across a variety of genres and time periods, and you can check them out (for free!) without any obligation. Heck yeah!

My advice doesn’t end there, though. One of the great things about getting into classic literature is that the copyright for a lot of these books and authors has lapsed, meaning that they are often (even usually) available for free in an eBook format, somewhere on the internet. Just look at the Amazon offering for Kindle – it’s bursting at the seams with literary classics, and so many are completely free! If you’re not an eBook reader, never fear: a lot of traditional publishers have capitalised on the opportunity that public domain work provides (to publish popular and enduring work without paying royalties, and no legal repercussions), releasing a bunch of very, very affordable versions in paperback.


And I’d be remiss if I didn’t give a special shout-out to Project Gutenberg, which – at last count – offers nearly 60,000 public domain books for free through their website. No eReader or smartphone required, you can read them right there in your browser if you want. It’ll be years before we fully understand the impact that the Project has had on global literacy, but for now you should take full advantage of the opportunity that it presents to you and say a silent prayer to the literature gods that it continues in perpetuity.

So, now you know where to find classic books, let’s lay out a plan to get you reading them.

Step One: Stop Being Scared of Classic Literature

Let’s start with a confession: I was scared of classic books for most of my life. I was convinced that I wasn’t smart enough to read them, or that I wasn’t educated enough to understand them. Even once I’d completed my degree, I figured I’d studied the “wrong thing” and classic books were reserved for the arts graduates that wore berets and pronounced Nietzsche correctly without even trying. This is the book-lover’s version of imposter syndrome; we convince ourselves that because we read a lot of YA, or we prefer prose to poetry, or we struggle with stilted language, that we “don’t belong” in the Classics section, and if we even try to read them everyone will find out we’re a big fat fraud.

So, let’s call bullshit on all of that right now. The classics are for everyone. A classic doesn’t become a classic without a lot of people reading it and loving it for a long time (see above), and statistically at least some of those people must have had the same tastes, education, and interests as you.

Bonus tip: make it easier on yourself. Start small. You wouldn’t start playing a video game on Level 20, would you? If you dive into the deep-end with Shakespeare’s collected works or The Odyssey, you’re setting yourself up to fail. There will be a bunch of unfamiliar references buried in a mountain of obscure language that goes right over your head, and you won’t have a hope of relating or engaging to the text. So, find a novel that will ease you in. Victorian classics are usually good choices, because the language isn’t all that different and you’ll be familiar enough with the cultural references already (and if you’re not, they’re usually easy enough to piece together anyway). Jane Eyre is one that I personally recommend, or David Copperfield – I read them early on in the Keeping Up With The Penguins project, and they put me in great stead to build on my relationship with the classics. If I can do it, you can do it. Promise.

Step Two: Find A Classic Book That Suits You

The most fundamental mistake you’ll make in your endeavour to read more classic books is picking one purely because it’s a “classic” that you’ve seen on lots of Buzzfeed lists or Pinterest graphics. There are better ways to go about it!

Take a look at the books you’ve enjoyed in the past, your preferred genres and formats, and try to find classics that are similar to those. Maybe the genres have advanced or changed over time, but you’ll be able to find something that feels a little familiar in terms of themes, characters, settings, and so on.

Here’s the easiest way to do it: chances are, you’ve already read an adaptation or two in your time (in fact, some would argue that all contemporary books owe a debt to the classics in one way or another). Consider going back to the original text, whatever it is. You’ll already have some familiarity with the story, which will make it easier to follow and enjoy. Make a list of all the books you’ve loved that are adapted from or related to classic literature. If you loved The Hours, for instance, go back and read Mrs Dalloway, or try Pride And Prejudice if you loved Bridget Jones’s Diary.

Step Three: Get Some Context For What You’re Reading

I’ve said it before and I’ll say it again: it’s always a good idea to find an edition with a decent introduction. I know people don’t always read them, but if you’re just beginning your foray into the classics it’s well worth it. The introduction (well, a good one) will give you all the background information you need before reading your classic book: the life and inspiration of the author, the political context of their work, our contemporary understanding of what they were trying to say, the popularity of their work over time, how the work changed between editions, language quirks, and more.

To give you an idea of how important this is, check out my review of Little Women. Without reading the introduction first, I would have read the book completely differently. In fact, I probably would have written it off as sentimental, moralising guff – I would have disregarded it entirely – if I didn’t have that foundation of knowledge about Lousia May Alcott’s politics and motivations.

If an edition with a good introduction isn’t easily accessible (sometimes they’re difficult to find, sometimes they’re super expensive, sometimes the introductions are too academic and stuffy to be of any use), just do some research online. I mean, you have a device in your pocket – you’re probably looking at it right now! – that allows you to access the entire breadth and depth of human knowledge. So, chances are someone somewhere has written down what you need to know about the book you’re about to read. Check out the author’s Wikipedia page to get an idea of when and where they lived, and how their life circumstances influenced their work. Look at recent reviews and book blogger posts about the book, because they’re sure to have some interesting tid-bits about the nature of the work. Sure, you risk encountering some spoilers with this method, but honestly the benefit you’ll get out of a contextual understanding far outweighs the detriment of knowing that the baby-daddy dies in the end of The Scarlet Letter.

Step Four: Start Reading!

It’s as simple as picking up the book and getting down to business. For more suggestions on how to do it, check out the first installment of this series, which was packed with tips on how to carve time out of your day and stay focused on reading.

Bonus tip: take it slow! And don’t be concerned if you’re taking longer than usual to read. You might need extra time to look up antiquated language, or revisit chapter summaries and make sure you’re following everything that’s going on. Even if you’re not taking those additional breaks, your brain might just need a little longer to process what you’re taking in. That’s okay! It takes me a lot longer to read a Victorian or Russian classic than it does to read a dystopian YA best-seller, so you’re definitely not alone.

Step Five: Expand Your Classic Horizons

OK, once you’ve read a few classics – and enjoyed them! – you’re ready to level up. If you read last week’s post, you already know how important diversity in reading is to me (as it should be to everyone, to be honest). Because of the patriarchy and cultural imperialism and the way the damn world works, in the present and in the past, chances are good that the classic(s) you pick up were written by straight white men (or, in a pinch, straight white women, and even then probably only the wealthy ones). The sad fact is that these are the classics that have received the most attention over literary history… but that’s not to say that classics by people of colour or LGBTIQ+ writers or writers with disabilities don’t exist. They certainly do! Once you’ve started to get comfortable with reading classics, you’re ready to seek them out if you haven’t already, and add an extra dimension to your classics-reading life. Here’s an entree platter to get you started:

Bonus Tips: How To Read (Even More!) Classics

Have a go at re-reading the classics that you didn’t like initially, or gave up on long ago. You know, the ones you were forced to read in high-school, or the ones that you tried and abandoned in your early twenties. You’ll probably be reluctant to revisit them at first, but I’m in it with you: I’m walking the walk, and circling back around to try Pride and Prejudice again for Keeping Up With The Penguins (having started, and abandoned, it no fewer than half-a-dozen times in the past). One of my favourite sayings is “you don’t read the book, the book reads you”, and it holds true with the classics most of all. You change and grow over the years, and you never know: you might just change and grow into a person that loves your currently-most-hated classic book. 😉

Another great piece of advice is the one my husband gave to me when I was tackling Moby Dick: let go of the idea that you’re going to understand every single world, or fully comprehend the author’s meaning. In fact, let go of the idea that you’ll understand even most of it. Focus on getting into the flow of the book, and ride the author’s wave. You’ll get the gist, at least, and that will be enough for now. Save the in-depth understanding for future re-reads, because it takes the pressure off and lets you enjoy the book without tearing your hair out. (Fun fact: the only book for which this strategy hasn’t worked was The Golden Bowl, and that’s a pretty good strike rate given how many classics I’ve tackled for KUWTP!).

And, finally, if you pick up a book and you’re giving it a red-hot go and you’re trying to get into the flow but it’s just not working… give it up! The fact is there are dozens – probably hundreds – of other classic books out there that you will enjoy and relate to. Don’t be afraid to ditch one half-way through, or a quarter of the way through, or even less if it really sucks. Your time is better spent on classic books that enrich your world and bring you joy.


Are you going to commit to reading more classic books this year? Which classics are you looking forward to reading? Which ones are you nervous about? Let me know in the comments (or drop it in the comments over at KUWTP on Facebook!).

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